BARRY LYNDON
A Screenplay by Stanley Kubrick
Based on the novel by William Makepeace Thackeray
FADE IN:
EXT. PARK - DAY
Brief shot of duel.
RODERICK (V.O.)
My father, who was well-known to the
best circles in this kingdom under
the name of roaring Harry James, was
killed in a duel, when I was fifteen
years old.
EXT. GARDEN - DAY
Mrs. James, talking with a suitor; Roderick, at a
distance.
RODERICK
RENT
by Jonathan Larson
??
(The audience enters in the theatre to discover a stage bare of curtains.
At stage left looms a metal sculpture intended to represent: [a] a totem
pole/Christmas tree that stands in an abandoned lot, [b] a wood burning
stove with a snaky chimney that is at the center of MARK and ROGERs
loft apartment, and [c] in Act II, a church steeple. On stage the
five-musician band
Lady And The Tramp Script
This is the night
Its a beautiful night
And they call it bella notte
Look at the skies
They have stars in their eyes
On this lovely bella notte
So take the love of your loved one
Youll need it about this time
To keep from falling like a star
When you make that dizzy climb
For this is the night
And the heavens are right
On this lovely
Bella notte
On this lovely
Bella nott
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
LARRY: You promised to sit through the entire hockey game without being bored and Ill sit through the Wagner opera with you next week.
CAROL: I know, honey, I promised. I know.
LARRY: I already bought the earplugs.
CAROL: Yeah. Well, with your eyesight Im surprised you can see the puck.
CAROL: Yay, hooray.
[In the street]
LARRY: God. I cant wait to get into bed and stretch out.
CAROL: Yeah.
LARR
Broadcast News
by
James L. Brooks.
FADE IN
EXT. CITY STREET - DAY
A restaurant supply truck is curbside, near a small
restaurant. GERALD GRUNICK, forty-one, is closing the back
door of his truck, feeling good about the world, a common
state for him. He moves towards the cab of the truck and gets
inside as we SUPER:
KANSAS CITY, MO. - 1963
INT. TRUCK - DAY
As he sits down beaming over his recen
X-Men
By
Ed Solomon
Revisions:
Chris McQuarrie
Tom DeSanto
Bryan Singer
February 24, 1999
BLACK
Sounds of a train rolling to a halt, a shrill whistle.
EXT. CAMP - DAY
UP ON the door of a weathered cattle car as a German
soldier steps into frame wearing that familiar gray of
the all-too familiar era.
He throws the door to reveal a mass of huddled and
frightened people inside.
The words are not nec
Naked Lunch Script
Exterminator.
Mm-hmm.
You want I should spit right in your face?
You want, hmm?
You want? You want?
I ran out.
You ran out?
Oh, thats nice.
You ran out.
Its impossible you run out.!
Whatd you do, eat the stuff?.
The Chink shortchanged me.
No "glot." Come "Fliday."
Its funny.
Its actual very funny what you just said.
Ran out.
They can either paint it, or draw it, or write
it dow
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
저는 이 과목을 통해서 교수님 수업을 3학년이 된 지금에서 처음 듣게 되었습니다.
미국문학개관을 처음 신청 하게 된 이유가 사실 전공 필수 과목이었기 때문이었는데 지금 생각 해 보면 왜 필수로 이 과목을 배워야 하는지에 대해서 조금은 알 것 같습니다. 영문학과를 다닌 다고 말을 하고 다니기엔