RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
THE PIANO LESSON
Screenplay for a film by
JANE CAMPION
Producer
JAN CHAPMAN
Script editor
BILLY MACKINNON
Maori dialogue and translator
SELWYN MURU
(c) copyright:
Jan Chapman Productions Pty Ltd
2 Fairlight Street Leichhart 2040
NSW Australia
4th draft 1991
Developed with the assistance of
The Australian Film Commission
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Sc 1 Sc 1
AD
We hear voices: one male, the other female. From the tone of their speech and the accompanying music, we can tell we are entering a romantic scene.
FADE IN:
INT. FANCY NEW YORK APARTMENT - DINING ROOM - NIGHT
Where we see a romantic scene played out between a man and a woman. Both are white. The couple have just finished a candlelit dinner.
BRAD
You like your wine? Want smore?
She nods her approv
Life Less Ordinary Script
MAN: So, heres the deal.
We are in the garden, right?
And everything is great.
And theres this tree.
And the man says, "Ooh, see that tree?
"Dont eat the fruit of that tree.
"That apple you do not eat."
He goes inside, names some animals--
maybe takes a dump.
Anyway,what does she do?
She eats the apple!
I cant believe what Im seeing!
He says, "Dont eat it!" She eats it!
Master And Commander Script
- (chickens clucking)
- Come on, come on. Its all right.
Yes, yes, its all right.
Wake up, Will.
Starboard bow ahoy!
- What is it, Slade?
- Thought I heard somethin.
Sounded like a bell.
- Native fishermen, perhaps.
- Or a reef marker, sir.
Mr Calamy, the lead, if you please.
- By the mark, five fathom.
- Five fathom!
- Sand and broken shell.
- Sand and broken shell.
W
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
THE INSIDER
written by
ERIC ROTH & MICHAEL MANN
11/5/99
FADE IN:
All we can see is black filling the screen... Black on
black...
INT. A JEEP, LEBANON - DAY
And were in a speeding SOVIET JEEP... Two men in front,
shouldering assault rifles. HEZBOLLAH SOLDIERS... And there
are three MEN in the back. A middle-aged Man wearing a tired
suit and tinted sunglasses trying to hold on. And on either
side o
Madness Of King George Script
Give it me!
Amelia.
Captain Greville, maam...
His Majestys new equerry.
Captain Fitzroy?
Uh...
Could you show me...
Oh, God. Come on, Pa.
Whats that one, Fred?
I discovered the other day
Im... Im bishop of Osnabruck.
Amazing what one is, really.
George!
Crown.
Your Majesty.
Ah, Lord Chancellor.
God, this place is as cold
as a greyhounds nostril.
Lord Chancellor.
Papa
Grainy but unmistakably a man and woman making love. Photograph shakes. SOUND of a man MOANING in anguish. The photograph is dropped, REVEALING ANOTHER, MORE compromising one. Then another, and another. More moans.
CURLYS VOICE
(crying out)
Oh, no.
INT. GITTES OFFICE
CURLY drops the photos on Gittes desk. Curly towers over GITTES and sweats heavily through his workmans clothes, his breathing prog
Madness Of King George Script
Give it me!
Amelia.
Captain Greville, maam...
His Majestys new equerry.
Captain Fitzroy?
Uh...
Could you show me...
Oh, God. Come on, Pa.
Whats that one, Fred?
I discovered the other day
Im... Im bishop of Osnabruck.
Amazing what one is, really.
George!
Crown.
Your Majesty.
Ah, Lord Chancellor.
God, this place is as cold
as a greyhounds nostril.
Lord Chancellor.
Papa