metal and glass amidst
thunderous tearing sounds as the two cars become one in
death. The convertible screams past with hardly a notice.
The driver of the limousine dies instantly as his body is
jettisoned through the windshield. The other man is torn as
the cars screech over him. The woman is brutally thrown into
the back of the front seats as a cloud of dust and flying
rocks engulfs her. The di
M i M i C
a revision
by
Matt Greenberg
and
Guillermo del Toro
June 19th 1996
FADE IN:
THE SCREEN
Stygean darkness.
Wet CLICKING SOUNDS. A BEAM of purplish ULTRA-VIOLET LIGHT
reveals a mosaic of moving forms... COCKROACHES. They skitter
restlessly under the beams intensity. SERIES OF SHOTS -- the
UV Beam passing over various parts of the space. Pipe webs,
walls, girders -- all covered with the ins
THE LIMEY
by
LEM DOBBS
draft 08/03/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FROM THIS SOFT COPY.
Wilsons first impression of Los Angeles was blue. He was in
the sky at the time, so it was a curious reversal, looking
down rather than up at the color he had always felt was
natures finest.
Swimming pools. Hundreds of them. Pockmarking the landscape
like m
DARK STAR
A SCIENCE FICTION ADVENTURE
A Screenplay
by
John Carpenter and Dan OBannon
OPEN ON BLACK SILENCE.
The sound of electronic music rises, hollow, metallic.
FADE IN on a long TRACKING SHOT through the universe.
As the NARRATOR speaks we move through galaxies, nebulae,
solar systems, moving from the infinite slowly down to
a particular planetary system deep within a maze of
suns.
NARRATOR
(o
metal drums leaking
toxic waste, radioactive waste, dumped in the depths, away from prying
eyes, and populated areas.
The vessel drops into the SULU BASIN. Imagine the Grand Canyon under
forty thousand feet of water. But the Sulu Basin is ten times the size
of the Grand Canyon. Down here, ten thousand fathoms below the storm,
all is calm.
The dual TURBO-PROPS on the ear of the submersible KICK ON
MISSION: IMPOSSIBLE
16TH AUGUST 1995
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. KIEV APARTMENT - NIGHT
Were in a large closet. JACK KIEFER, an athletic American
in his late thirties wearing a headset, is wedged into a
corner, staring at a television screen.
The television shows a surveillance view of t
RUSH HOUR
Original Screenplay
--------------------------------------------------------------------------------
RUSH HOUR
FADE IN:
EXT. LOS ANGELES - DAY
The whole dysfunctional megalopolis, beige and blurry in the
summer smog. If this is the American Dream, do me a favor and
wake me up.
EXT. LAX - DAY
The traffic loop outside the terminals is gridlocked -- mostly
with stretch limousines.
INT. LAX
metallic beat begins. Twists of sound in a tightrope rhythm. The snap of a military snare drum.
SUPERIMPOSE: "1998"
FEMALE NARRATOR
Forces hostile to the United States grow strong in the late 20th Century.
A DARK TABLEAU - CITY STREET - LOS ANGELES - NIGHT
Graffiti-smeared walls. Fires raging. Automatic weapons fire. Shadowy figures dash through the southern California night.
FEMALE NARRATOR
A
DAWN OF THE DEAD
by George A. Romero
모
"WHEN THERE IS NO MORE ROOM IN HELL
모
THE DEAD WILL WALK THE EARTH"
모
모
1 We see the face of a young woman. She is asleep. It is very
quiet at first, as credits appear. The womans face begins to
twitch, as though she is having a bad dream. She moans slightly
and her expression grows more desperate.
A mix of subtle sounds begin to fade in. As they get
Halloween: H2O
FADE IN:
EXT. STREET - NIGHT - SUBURBIA
Langley, Illinois. A quiet suburb located fifty miles
outside of Chicago.
SUPER the legend: "Langley, Illinois. October 28th 1998"
A HOUSE
nestled in the middle of a tree-lined street. A Honda Civic
pulls into a darkened driveway, the headlights are
extinguished...
PAMELA WHITTINGTON, a middle-aged woman in full registered
nurse attire, emerg