THE SAME SCENE; THE SAME SHOTS. Suddenly time RUSHES FORWARD. Als voice squeaks, the action accellerates.
LEADER (VO)
Run past this stuff.
THE VISUALS SPEED EVEN FASTER. SOMEBODY is running the tapes of
the EXPERIMENT right before the attack...FAST FORWARD.
INTRUDER
You wont believe this.
INT. LAB - The INTRUDERS SLOW the tape and watch with interest.
CU.- THE BEAKER on the pedestal surrounded by
Me Myself And Irene Script
I got a star on my car and one on my chest
A gun on my hip and the right to arrest
Im the guy whos the boss on this highway
So watch out what youre doin when youre drivin my way
If you break the law youll hear from me l know
Im working for the state Im the highway patrol
Well, you know me when you see me cause my doors painted white
My siren a- screamin and my flashin r
Under gloomy sky a huge fortress looms on a volcanic mountainside. From within WE HEAR the agonizing scream of a woman giving birth.
INT. NOCKMAAR CASTLE - DAY
The scream continues as WE MOVE THROUGH the grim corridors of the castle TOWARD stairs leading down to a dungeon.
INT. DUNGEON - DAY
Silhouetted in sadows, three Nockmaar MINIONS stand guard. In a jail cell, sex fully pregnant WOMEN watch
----------------------------------------------------------------
One From The Heart Script
[Roulette Ball Rolling]
[Roulette Ball
Drops In Slot, Clinks]
I wish I had a dollar for
Each time I took a chance
On all those two-bit Romeos
Who counterfeit romance
Somehow always thinking of
The last time I fell down
Knowing that youll fall in love
Once upon
A
Town
[Wind Whistling]
[Jazz. Distan
Pitch black. Dead quiet. Dim faint light appears in the distance, approaching, growing larger. As the light nears, we recognize car headlights. Closer and closer until the car is bearing down upon us with great force. . .
2 INT. CAR 2
Two men in the front seat, FISHER and MOORE. Fisher drives. All seems quite normal until we take a closer look, sweat matts hair, dirt stains on white tuxedo shirts
"HUNTER"
Written by
Jim Thomas and John Thomas
"HUNTER"
FADE IN
1 EXT. OUTER SPACE 1
The infinite blackness punctuated by a billion stars.
As we slowly DESCEND through the varied shades of blue
of the Earths atmosphere, we HEAR the first strains of
a haunting, Central American FLUTE, joined by a swelling
background of JUNGLE SOUNDS. We descend further,
through a lush JUNGLE CANOPY, backlit by a s
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
1492: CONQUEST OF PARADISE
??
by
Roselyne Bosch
REVISED
September 23, 1991
??
??
FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
Beauty and the Beast
NARRATOR: Once upon a time, in a faraway land, a young prince lived in a
shining castle. Although he had everything his heart desired,
the prince was spoiled, selfish, and unkind. But then, one
winters night, an old beggar woman came to the castle and
offered him a single rose in return for shelter from the bitter
cold. Repulsed by her haggard appearance, the prince sneered a
Shawshank Redemption, The
- By Frank Darabont.
1 INT -- CABIN -- NIGHT (1946)
A dark, empty room.
The door bursts open. A MAN and WOMAN enter, drunk and
giggling, horny as hell. No sooner is the door shut than
theyre all over each other, ripping at clothes, pawing at
flesh, mouths locked together.
He gropes for a lamp, tries to turn it on, knocks it over
instead. Hell with it. Hes got mor