THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
WITNESS
??
Screenplay by
EARL W. WALLACE
WILLIAM KELLEY
??
from a
story by
WILLIAM KELLEY
??
REVISED DRAFT
APRIL 23, 1984
??
??
1 EXT. LANCASTER COUNTY, PA. COUNTRYSIDE - DAY
(TITLE SEQUENCE)
The faces of several young children are presented in
CLOSEUP, as they walk TOWARD US across a ploughed
field. On the SOUND TRACK, the haunting SOUNDS OF A
GREGORIAN FUNERAL CHANT. The CAMERA PANS UP to the
f
Bronx Tale Script
- You got the note?
- Yeah, right.
Nice and tight.
Two, three, four.
This is the Fordham section
of The Bronx: my home.
A world unto itself.
Any borough
is only 15 minutes away...
but they seem 3,000 miles away.
Thats Mount Carmel Church.
The sound of the bells
filled the neighborhood.
It was 1960 and doo-wop
was the sound on the streets.
I felt like there was a doo-wop
group on
As they travel, various objects (pens, tapes, CDs, toiletries, ties, sunglasses, etc.) either fall or are discarded from inside their jackets.
They are pursued by two hard-looking Store Detectives in identical uniforms. The men are fast, but Renton and Spud maintain their lead.
RENTON (V.O.)
Choose life. Choose a job. Choose a career. Choose a family, Choose a fucking big television, Choose washi
The mule and the boy finally reach a camp. A few tents dwarfed by a huge temple door jutting out of the sand. The camp is deserted except for some kids by the temple entrance holding large mirrors, reflecting light into the temple.
Omar leaves his mule in the shade, seizes two goatskins and slips inside the temple.
3 INT. TEMPLE - DAY
Omar makes his way uneasily down a pillared corridor that open
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
The Constant Gardener Script
Oh, thank you, Arnold.
I- I can manage that.
But I still dont see why you couldnt
wait a couple of weeks.
Why go all the way up to Loki?
Well, we want to hear Grace Makanga
speak, and she wont be coming to Nairobi.
I see.
Oh, sweetheart, dont bother
to see us off. It could be ages.
Okay, well
Its too hot to be standing around.
If youre sure.
Bye.
Bye, Arnold.
Let me t
Little Monsters
Screenplay by Ted Elliot
Terry Rossio
Produced by John Davis
Andrew Licht
Jeffrey A. Mueller
Directed by Richard Alan Greenberg
Cast List:
Fred Savage Brian
Howie Mandel Maurice
Daniel Stern Glen Stevenson
Margaret Whitton Holly Stevenson
Rick Ducommun Snik
Frank Whaley Boy
Ben Savage Eric
William Murray Weiss Todd
FADE IN:
ON AN OLD ALARM CLOCK
TICKING, the bells gone, the littl
Lone Star
모
EXT. TEXAS SCRUB -- DAY
Two men in shorts and Hawaiian shirts are poking around a
sandy section in the middle of scrub flats.
SERGEANT CLIFF POTTS is in the f.g., a plant-and-tree
guidebook in hand, as SERGEANT "MIKEY" HOGAN works a metal
detector over a large, sandy bank in the b.g. Both are Army
career men with a morning off to pursue their hobbies.
CLIFF
We got ocotillo, devils w