Mondo Cane Script
MONDO CANE
...to neglect
your respectable engagements
and to be here with us,
remembering and celebrating
one of the many children
that this generous land
gave to the world
of culture and art.
Rodolfo Guglielmi,
a son of this land...
We are at Castellaneta,
in the province of Taranto,
where Mister Semeraro,
vice minister
of the cultural affairs,
is commemorating the honorable
c
SUPERMAN LIVES
??
Written by
Kevin Smith
??
??
EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO
TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
Rolls into FRAME. A bauble of green and blue and white swirls of cloud cover. The eerie clip and whistle of cosmic rays is drowned out by static and someone singing 몵MY WAY몶 - in Russian.
2 MOVING INTO FRAME - A SOVIET CAPSULE
Gleaming white. Black letters on its side, CCCP. A Russian COSMONAUGHT in his space suit is outside, repairing radio antenna. He몶s the one singing.
3 INSIDE THE CAPSU
In Like Flint Script
Lisa, Paris is on the phone.
- About the hemline again? Ill take it.
- Mm-hmm.
Hello? Please, Paris.
It has been decided.
Mm-hmm. Mm-hmm. Thats correct.
- Lisa, how do you like this?
- Its very nice. Just fine.
- Put it through immediately.
- Thank you.
Lovely.
The color, the drama!
- It is fantastic!
- Its glorious!
Blast off.
Why not?
Come along, ladies.
Ladies. Ladies!
- W
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
LOST IN SPACE
by
Akiva Goldsman
CHAPTER 1: Earth 2058
---------------------
모
FADE IN ON:
EXT.-SPACE
PULL BACK slowly as MARS fills THE FRAME, a sphere of red desert and fast rushing crimson clouds.
A triangular CARGO SHIP descends from the dark of space.
PILOT (OVER)
Mars mining base, this is Grissom One,
Request final descent vector.
REVERSE ANGLE
EXT.-MARS
A row of giant red mountains and b
wasteland below the arctic peaks of the Zokov islands. What they were building, or why it should be located in a such a remote and desolate place, no one could say.
CUT TO:
Roll credits
Tracking shot of B-52 in mid-air refuel. Soundtrack lilts "Try a Little Tenderness." Refueling nozzle gently breaks away from receiving aircraft.
CUT TO:
INT. COMPUTER ROOM - BURPLESON AFB - NIGHT
A phone buzzes
Fantastic Voyage Script
Sorry we got you up at this hour, Mr Grant.
I thought I was on vacation.
Wha it all about?
I cant tell you.
- Where are we goin?
- I cant tell you that either.
Youre to stay inside, Mr Grant, and wait.
Your ID card, please.
Thank you.
- Hello, Grant.
- General Carter.
- Good to see you again.
- The Pentagon, wasnt it?
Come on.
Benes! What the devil happened?
The other side