In The Company Of Men Script
So how do you feel?
- Its okay.
- Yeah?
- Its all right. Hurts a little.
- Where did she get you?
Right here.
Theres no blood.
- Theres not a mark or anything.
- Still feel it.
Sure.
- This is the point I made earlier.
- What?
The s. Cant even afford to blink.
I miss too much.
Its no big deal.
Howard, a woman hit you,
tagged you upside the head.
- Whatd you say to he
A top-secret, experimental, offensive/defensive military installation hidden away in the countryside outside Philadelphia, Pennsylvania.
CLOSE on a beautiful, intricate, state of the art computer panel as it is lifted out of a large console. A huge, dimly lit display board, sporting a galaxy of small running lights, looms above.
The panels removal creates a large, vulnerable opening, inside of wh
"Out of Sight"
Screenplay by
Scott Frank
from the novel by
Elmore Leonard
White Final: 08/05/97
Blue Revised: 09/17/97
Pink Revised: 11/11/97
Green Revised: 12/15/97
Goldenrod Revised: 12/16/97
Buff Revised: 03/17/98
Salmon Revised: 03/23/98
BLACK
We hear TRAFFIC, some STREET NOISES, then...
FADE IN: A MIAMI STREET - DAY
The financial district. Lots of people in suits. A shaky,
spasmodic ZOOM IN
Blackness. Then a hint of green becomes EARTH. It lies across an expanse of space. Richly colored. Fertile.
A GIGANTIC ASTEROID cuts into frame, Burning into EARTHS ATMOSPHERE and striking down in the currant area of Guzumel, Mexico.
Voice : An impact equivalent to ten thousand nuclear weapons detonating simultaneously.
A HUGE DINOSAUR FOOT steps down hard and is VAPORIZED with a deafening ROAR.
SAM ACE ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and gets inside to turn on the ignition.
ACE: (Voice-over) When you love someone, youve gotta trust them. Theres no other way. Youve got to give them the key to everything thats yours. Otherwise, whats the point? And, for a while . . . I believed thats the kind of love I had.
(Suddenly, the car explode
Krypton, is empty for the moment. But the signs of its members are ever-present: around the great floating slab that is their conference table each has his (or her) own console of crystals - a transparent container marked with the identifying insignia, c.f. the symbols on each of their robes in Part I.
As Non and Ursa follow two paces behind. Zod strides along the slab, ignoring console after con
Overboard Script
Dock five, the Immaculata?
Its over there!
Oh!
I cannot, I repeat, cannot
sit in this cesspool by the sea
with nothing to do.
So, while you repair your silly boat
engines, I will do some remodelling.
- Ive sent for a carpenter.
- Whatever, diddums. Im shooting skeet.
Hello!
Mr Stayton? Anybody home?
- Hello!
- State your purpose!
- Nice-looking Wetherby you got.
- Its a very expe
A VIDEO IMAGE FLICKERS TO LIFE. A ruggedly handsome man with dark, haunted eyes. Eyes that have seen hell.
NEVILLE
My name is Robert Neville. Today is October 17th,
the year 2002. I was born in 1960, on this very day,
so that makes today my birthday. (remembering)
Every year for my birthday, my wife Ellen would throw
me a party. A kids party. Cake, ice cream, funny hats,
"Pin the Tail on the Donk
Lover Come Back Script
This is Madison Avenue,
center of the advertising world.
In these steel and concrete
beehives are born the ideas
that decide what we will
eat, drink, drive and smoke,
and how we will dress, sleep,
shave and smell.
In all beehives,
there are workers and drones.
This is a worker.
Thank you.
And this is a drone.
Jerry, Honey...
Youre at work.
Good night, darling.
- Good night.
Ordinary Decent Criminal Script
Morning.
Lovely morning.
Not bad.
Banks never on time, are they?
No, no, theyre desperate.
Desperate.
Desperate altogether.
Try another branch.
Morning.
Like to make a withdrawal, please.
Harrison will defend
the bail application,
maybe even take the trial.
But he insists on
two thousand pounds in cash.
For a mornings work?
Up front.
As in now, before we go in.
I s