Lady: Mummys going to the beauty parlour darling. But Im leaving you with your favorite friend Roger. Hes going to take very very good care of you. Because if he doesnt, hes going back to the science lab!
Roger: Plplpllllease! Dont worry. What ever you say! Yes maam. Aye aye sir. Oke dokey. Why, Ill take care of him like he was my own brother. Or my own sister. Ow! Or my brothers sister. Or my se
THE SAME SCENE; THE SAME SHOTS. Suddenly time RUSHES FORWARD. Als voice squeaks, the action accellerates.
LEADER (VO)
Run past this stuff.
THE VISUALS SPEED EVEN FASTER. SOMEBODY is running the tapes of
the EXPERIMENT right before the attack...FAST FORWARD.
INTRUDER
You wont believe this.
INT. LAB - The INTRUDERS SLOW the tape and watch with interest.
CU.- THE BEAKER on the pedestal surrounded by
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
("Dreamland" is a club filled with American Marines, civilians and south Vietnamese officers. The girls parade around and get the crowd to buy raffle tickets: the winner of the "beauty contest" will be the prize.)
AMERICANS
the heat is on in Saigon
the girls are hotter n hell
one of these slits here will be Miss Saigon
God, the tension is high, not to mention the smell
the heat is on in Saigon
is
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
A Chinese GONG SOUNDS and the glittering doors of an art Deco pa-poda slide open to reveal a mammoth silver stairway down which rows of beautiful women start descending.
BEGIN MAIN TITLES
The lovely ladies are a mix of races and they sing a strange, haunting melody - one might think them a heavenly choir, if it werent for their sexy, clinging lame gowns.
INT. CLUB ENTRANCE
From the ethereal beau
Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr Script
[ Fred Leuchter,Jr.]
I became involved...
in the manufacture
of execution equipment...
because I was concerned
with the deplorable condition...
of the hardware thats in
most of the statesprisons,
which generally results
in torture...
prior to death.
A number of years ago
I was asked by a state...
to look at
their electric chair.
I was su