FRAME - BLOOD. Running thin,
then thicker, as we CONTINUE TO MOVE UP the stairs and find -
A BODY, sprawled awkwardly across the stones, arms and legs
akimbo, not so much Christ-like as victim-like. In one hand
the Body holds a GUN he never had a chance to use. In the
other - A DARK SHAPE, we cant quite tell what it is.
FOOTSTEPS sound from above and - THE KILLER walks into frame,
silenced pistol
smart for you.
Right.
You know, as it turns out...
...Im not the only person in the worId
looking for Oceans .
All right.
Im the groom, and Im not supposed
to say anything, but-- Make a speech.
But I dont care what the rules are,
because I really wanna thank my family.
My mom and dad,
my Uncle Gary and Aunt Grace.
Uncle Ted, Aunt Celeste...
...and their children, Denise and Jessica.
Bishop Tom an
STEPMOM
Ronald Bass
Second Revised Draft
Previous Drafts by:
Gigi Levangie
Elizabeth Chandler
Jessie Nelson &
Steven Rogers
INT. RACHELS BEDROOM - EARLY MORNING
A billowy white screen. An alarm clock BLARES. As MAIN TITLES
BEGIN, the lovely sleeping face of RACHEL KELLY rolls into frame.
Then out of it. Alarm keeps BLASTING. Back she comes, pulling the
sheets OVER her head. Motionless now, as we
All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"
frame house with porch and lots of trees--a Thomas Wolfe
house...with a 1959 faded red Volvo in the driveway.
ANNIE LEAVES ON FOOT, turning onto the sidewalk of a bucolic,
old Durham, North Carolina neighborhood. In the b.g. other
people are heading the same direction ANNIE PULLS A DURHAM
BULLS BASEBALL CAP from her handbag and pulls it on her head.
ANNIE
Ive tried them all--I really
have--
(beat
Lady: Mummys going to the beauty parlour darling. But Im leaving you with your favorite friend Roger. Hes going to take very very good care of you. Because if he doesnt, hes going back to the science lab!
Roger: Plplpllllease! Dont worry. What ever you say! Yes maam. Aye aye sir. Oke dokey. Why, Ill take care of him like he was my own brother. Or my own sister. Ow! Or my brothers sister. Or my se
smart.
She was all of those things,
but more than anything...
...she was sweet.
Courtney ruled with terror,
but Liz ruled with kindness.
She was like the Princess Di
of Reagan High...
...and that pissed Courtney off.
Liz Purr was just....
Well, she was perfect.
I used to dream about what
it would be like to be her...
...Elizabeth Purr.
Its a shame about
what happened to Liz.
That was no way to wa
frame, then...
DISSOLVE TO
FIRE. SLOW ROILING, ENORMOUS. FILLING FRAME. *
VOICE (SARA CONNER) * Skynet, the computer which controlled the *
Machines, sent two terminators back through * time. Their
mission: to destroy the leader of the * human Resistance... John
Conner. My son. *
The first terminator was programmed to strike * at me, in the year
1984... before John was born. * It failed. *
TERMIN
smart.
Once we were driving and he threw
a tennis ball at an old lady.
He made us stop the car.
He got out and apologized.
-Do you love me?
-No, I hate you.
-Say it, you little bitch!
-Get off me!
-Say Im the master!
-Get off me!
Say Im the master!
-"Shawn, master of the universe."
-Fuck you, motherfucker!
-Get off! Youre not, you faggot!
-Say you love me.
-Say Im the master!
-I hate you, you fre
smart mouth, lady.
STARLING
Officer, if you wouldnt mind, Id
appreciate it if you took a step or two
back, youre in my light.
Bolton takes his time, but eventually backs away a step.
STARLING
Thank you. All right.
(re: the street plan)
The fish market backs on the water.
Across the street, ground floor, is the
meth lab --
EXT. FISH MARKET AND STREETS - DAY
The Macarena blares from a boom box. Sna