Mr. 3000 Script
You dont like me because
I dont sign autographs.
You dont like me because
I dont smile for the camera.
You dont like me because
I dont suck up to the press.
You dont like me
because I make a lot of money.
But you love me.
Because Im one of
the greatest hitters alive.
[Crowd cheering]
ANNOUNCER:
Were back in Milwaukee,
and the sound you hear
reverberating
across the cities and farm
Tomorrow Never Dies
Screenplay
by
Bruce Feirstein
(for educational purposes only)
FADE IN ON:
EXT. DESOLATE MOUNTAIN RANGE - HIGH ANGLE - DAWN
Super: THE KHYBER PASS, AFGHANISTAN
Were looking down at what used to be called "The End of the Known
World." A landscape that is both beautiful, and forbidding.
In the center of this vista, there is a deep ravine.
Pushing in on the ravine, there appears t
A beautiful, sprawling suburban estate at sunset. Classic wrought-iron gates protect a winding driveway which snakes its way up through a neatly manicured lawn.
INT. WAYNE LIVING ROOM - NIGHT
ALFRED PENNYWORTH, the Wayne family butler, fluffs up a cushion in the large, elegant living room. A kind-looking man in his late forties with dark moustache and hair, he epitomizes the proper British moor d
The very loud sound of people having sex. The sounds of deep moaning and sexual huffs and puffs. After a few seconds the sound grows even louder. It should sound as if the two people are fucking into a microphone. The sounds should be painful and raw.
GIRL (O.S.)
Oh yes, oh yes, oh yes, oh yes.
INT. BEDROOM - DAY
The face of a very pretty young girl with long blond hair. Her face is inches from t
SAM ACE ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and gets inside to turn on the ignition.
ACE: (Voice-over) When you love someone, youve gotta trust them. Theres no other way. Youve got to give them the key to everything thats yours. Otherwise, whats the point? And, for a while . . . I believed thats the kind of love I had.
(Suddenly, the car explode
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
??
??
"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
??
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"Weve got company!"
Han Solo
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??
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
THE LOST WORLD
JURASSIC PARK
screenplay by
David Koepp
EXT. TROPICAL LAGOON - DAY
A 135-foot-luxury yacht is anchored just offshore in a
tropical lagoon. The beach is a stunning crescent of white
sand at the jungle fringe, utterly deserted.
ISLA SORNA
87 miles southeast of Nublar
Two SHIP HANDS, dressed in white uniforms, have set up a
picnic table with three chairs on the sand and are carefully
is applied to a paper mache surface, and a popsicle stick is pressed into place. (We are TOO TIGHT to see the object being constructed.)
CLOSEUP - KRISTEN PARKER
Kristen (16) is strikingly pretty, despite the dark, tired circles under her eyes. Shes exhausted, but desperately trying to stay awake. She wears pajamas and robe.
Her head nods, her eyelids close. She snaps herself awake.
CLOSEUP - THE
All we can see, filling the entire frame is a flame-orange sky... almost like the sky from the burning of Atlanta in "Gone with the Wind".
SUPERIMPOSE: Presenter credit
PAN DOWN lower and lower until we see the terrain below... the desert. There is no vegetation whatever, just sand and odd-shaped rock formations. The air is filled with red dust, which alternately obscures and then reveals the ima