THE GREEN MILE
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Screenplay by
Frank Darabont
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from the novel by
Stephen King
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We each owe a death, there are no exceptions...
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A SONG BEGINS, distant as a faded memory on an old Victrola:
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Once I built a railroad, made it run... Made it race against
time...Once I built a railroad, now its done...Brother, can
you spare a dime...
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Opening credit sequence
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plays against footag
Mr. Jones Script
Good morning, it 8:00 a.m.
Got the Godfather of Soul comin at you
and he wants to know, how do you feel?
Anybody home?
-You the foreman?
-Yeah, Im the foreman. I dont want any.
-Im your new carpenter.
-What?
I read the ad in the newspaper
for carpenters. Here I am.
No, no. We filled that job.
Got a full house, buddy. Sorry.
Youre making a big mistake here.
Im a precision machine,
Beautiful Girls Script
Nice playing, Will.
Thanks.
How you getting up there?
- Going by bus.
- How longs that?
Its... five, six hours.
- How about some food?
- No, Im good. Ill see you.
- One to Knights Ridge.
- One-way or round trip?
- One-way. How much is that?
- $48.
There you go.
OK. Gate 62. That way and turn right.
Have a good trip.
Thats it.
Oh, shit.
- Hey.
- Hey.
- Here you go.
- Thanks.
WHITE SQUALL
by
Todd Robinson
FADE IN:
SUPER: A TRUE STORY - MYSTIC HARBOR CONNECTICUT 1994
CREDITS OVER
Wind on the water. Soaring gulls and sand pipers glide
over the pilings and sagging bulkheads.
OLDER CHUCK (V.O.)
Though I hadnt seen or spoken to
Sheldrake in over thirty years, it
seemed impossible that his heart was
the thing that had finally failed
him...
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INT. LATE MODEL CAR - SAME
CHUC
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
Silent and endless. The stars shine like the love of God... cold and remote. Against them drifts a tiny chip of technology.
CLOSER SHOT
It is the NARCISSUS, lifeboat of the ill-fated star-freighter Nostromo. Without interior or running lights it seems devoid of life. The PING of a RANGING RADAR grows louder, closer. A shadow engulfs the Narcissus. Searchlights flash on, playing over the tiny ship
Lying in bed, coughing. Pale, one sick cookie. Maybe hes seven or eight or nine. He holds a remote in one hand, presses it, and the video game moves a little bit. Then hes hit by another spasm of coughing, puts the remote down.
His room is monochromatic, greys and blues, mildly high-tech. Were in the present day and this is a middle class house, somewhere in the suburbs.
CUT TO:
The Kids MOTHER
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we