TEN THINGS I HATE ABOUT YOU
PADUA HIGH SCHOOL - DAY
Welcome to Padua High School,, your typical urban-suburban
high school in Portland, Oregon. Smarties, Skids, Preppies,
Granolas. Loners, Lovers, the In and the Out Crowd rub sleep
out of their eyes and head for the main building.
PADUA HIGH PARKING LOT - DAY
KAT STRATFORD, eighteen, pretty -- but trying hard not to be
-- in a baggy granny dr
CREDITS: White lettering over a back background. The THUNDEROUS SOUNDS OF A MASSIVE NAVAL BARRAGE are heard. The power is astonishing. It roars through the body, blows back the hair and rattles the ears.
FADE IN:
ext. Omaha Beach - normandy - dawn
The ROAR OF NAVAL GUNS continues but now WE SEE THEM FIRING. Huge fifteen inch guns.
A SWARM OF LANDING CRAFT
Heads directly into a nightmare. MASSIVE
All we can see, filling the entire frame is a flame-orange sky... almost like the sky from the burning of Atlanta in "Gone with the Wind".
SUPERIMPOSE: Presenter credit
PAN DOWN lower and lower until we see the terrain below... the desert. There is no vegetation whatever, just sand and odd-shaped rock formations. The air is filled with red dust, which alternately obscures and then reveals the ima
M Script
Just you wait, it wont be long
The man in black will soon be here
With his cleavers blade so true
Hell make mincemeat out of you!
Youre out.
I told you to stop singing
that awful song!
Didnt you hear me?
That same cursed song over and over!
Dear me, thats heavy.
Whats the matter?
I told those kids to stop
singing that awful song,
but they sing it all day long.
As if we havent heard
enoug
The Witching Hour
Screenplay by ANNE RICE
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FADE IN:
EXT. A SCOTTISH MOOR - NIGHT - 1670 A.D.
Far off, a massive stone castle looms. Trees silhouetted an
the horizon against the star-dotted, qreen-purple sky. The branches of one tree seem to reach
for the stars...
TRACKING IN - the tree is A HOODED FIGURE: SUZANNE - 20, golden hair spilling from her hood,
dazzling green eyes. Nestled in the f
TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
AS GOOD AS IT GETS
by
Mard Andrus
And
James J. Brooks
Story by
Mark Andrus
--------------------------------------------------------------------------------
FADE IN:
INT. APARTMENT BUILDING (NEW YORK), HALLWAY - NIGHT
ANGLE ON apartment doorway. As it opens and an
enormously SWEET-FACED, ELDER WOMAN steps out, bungled up
against the cold -- turning back to call inside to the
unseen love of
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
SEVEN
by Andrew Kevin Walker
8/8/94
1 INT. OLD HOUSE -- DAY 1
Sunlight comes through the soot on the windows, more brown than
bright. SOMERSET, 45, stands in one corner of this small,
second-story room. He looks over the ceiling, looks down at the
worn wooden floors, looks at the peeling wallpaper.
He walks to the center of the room, continues his study, taking
his time. He halts, turns to one wa
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar