HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
G.I. JANE
??
by
David Twohy
FIRST DRAFT
August 6, 1995
??
FADE IN:
INT. SENATE HEARING ROOM - CAPITOL BLDG. - DAY
Blinding in their white uniforms, naval flag officers sit
in the audience, showing their support for THEODORE HAYES,
a 50-year-old civilian. This is his confirmation hearing.
Reading from prepared material:
HAYES
... last few years have brought many
advances in the interests of women
Now, theyre serious. They can deliver the South and put Texas in your column. They done it in the .
Only if Kennedy dumps Johnson. Thatll never happen.
I dont think you know how much people hate Kennedy down here.
Hes cominto town tomorrow, and they will run his ass outta town on a rail!
Damn right. That we will.
We are willing to give you a shit pot full of money to get rid of him.
More than yo
Tiled roofs, the stark white stucco of a colonial town square. Black iron bars at a bank. A briefcase carried in a mans hand. A snipers rifle being assembled. Thick blocks of hundred dollar bills. Placed in the briefcase. A mans teeth as he smiles grimly at the sight.
Sounds over a SUBJECTIVE VIEW. The BRIEFCASE SNAPS SHUT. A VAULT DOOR SLAMS. RUBBER SOLES WALK a tiled floor. Ahead, brilliant, w
THE HAUNTING OF HILL HOUSE
By
David Self
Revisions by
Michael Tolkin
Based on the Novel
by Shirley Jackson
11/10/98
Initial Shooting Script
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FOR THIS SOFT COPY.
BEGIN MAIN TITLE SEQUENCE.
At the very edge of hearing, the tone of human VOICES.
Unintelligible, babbling, eerie. Then a loud FLAPPING SOUND.
It shifts fro
The Witching Hour
Screenplay by ANNE RICE
??
??
FADE IN:
EXT. A SCOTTISH MOOR - NIGHT - 1670 A.D.
Far off, a massive stone castle looms. Trees silhouetted an
the horizon against the star-dotted, qreen-purple sky. The branches of one tree seem to reach
for the stars...
TRACKING IN - the tree is A HOODED FIGURE: SUZANNE - 20, golden hair spilling from her hood,
dazzling green eyes. Nestled in the f
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
Bone Collector Script
Hows it look?
The cops bodys about 300 yards
down in an abandoned tunnel.
-Howie?
-Right behind you, captain.
Keep back till
I process the scene, okay?
Watch out! Its falling!
So where the hell is the car?
I dont know.
Thats the last time
I take a goddamn redeye.
We can take a cab.
Im gonna fire this son of a bitch.
Hes always got some excuse.
Well, come on.
Well be home bef
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre