"TREASURE HUNTER"
FADE IN:
EXT. CARIBBEAN ISLAND -- DAY
A secluded island surrounded by bright blue-green water.
Sand untouched by footprints, this place has been forgotten.
A mountain with the vague image of a skull on its craggy
face grows out of the jungle.
A seaplane zooms overhead, pontoons skimming the water until
they slide onto wet sand.
EXT. BEACH -- DAY
Two sets of BOOTS mar the smooth
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
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"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
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"Weve got company!"
Han Solo
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
THE LOST WORLD
JURASSIC PARK
screenplay by
David Koepp
EXT. TROPICAL LAGOON - DAY
A 135-foot-luxury yacht is anchored just offshore in a
tropical lagoon. The beach is a stunning crescent of white
sand at the jungle fringe, utterly deserted.
ISLA SORNA
87 miles southeast of Nublar
Two SHIP HANDS, dressed in white uniforms, have set up a
picnic table with three chairs on the sand and are carefully
SUPERMAN LIVES
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Written by
Kevin Smith
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EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO
TRUE LIES
WRITTEN
BY
JAMES CAMERON
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TITLE SEQUENCE
1 EXT. MOUNTAINS, NEAR GENEVA, SWITZERLAND - NIGHT
The snow covered Alps stand out clearly in the light of a full
moon. A fortress-like CHATEAU is situated in a flat saddle of
forest partway up the mountain, next to a frozen lake. The
property is surrounded by high stone walls, and the stately
grounds are bathed in floodli
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
Friday the 13th, Part 3
FADE IN:
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TITLE AND CREDITS
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A piercing high note is sustained on the soundtrack as the
main title, "CRYSTAL JAPAN" speeds straight at the audience
in 3-D and seems to jump right out at them.
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The opening credits follow. Ominous theme music fills the
soundtrack, growing darker and more dissonant.
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The theme music slowly dissolves into the sound of a radio
news broa
ALIEN NATION
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Original Screenplay by Rockne S. OBannon
Rewrite by James Cameron
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October 1987
FADE IN:
EXT. MOJAVE DESERT - DAY (TELEVISION IMAGE)
A LONG LENS SHOT of a far distant metallic object hovering
just above the ground -- maybe two or three miles away.
The heat waves and the light refraction off the desert-
scape make the object undulate rhythmically, keeping its
true shape and appea