An old Chinese man, GRANDFATHER, going through a beautiful Tai Zhi Quan form. It is very peaceful and graceful. The form ends with a palm strike towards camera, blacking out the frame. (for possible INTERCUT use)
INT. SUPERFIGHT ARENA - NIGHT
Spotlights cut through the murky darkness while rock music PULSES. The sound of the crowd, barely visible in the darkness, is a RUMBLE in the dark, not unli
Alice Script
("Limehouse Blues" by Jackie Gleason)
- (man) Hey. Where are you now?
- Nowhere.
Its late. I have to go.
Oh, oh, oh.
- John and Susan confirmed for dinner.
- Yes.
Dont sit her by Ray Pooles wife. Shell
ask if hes moving to Kidder Peabody.
- Ill put her next to the Gimbels.
- Mrs Tait! Were ready for school.
Were all bundled up. Come on. Lets go.
Theres Mommy.
Give her a big wave and
Zulu Dawn
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1. SCRIPT APPEARS ON BLACK SCREEN:
One hundred years ago the British Colony of Natal in Southern
Africa was surrounded by a
vast and independent Zulu Kingdom.
In 1879, a banle took place that was forever to alter the
course of colonial history:
??
I SANDHLWANA
2 EXT. DAWN.
Four Zulus are seen in silhouette herding cattle up a hill.
3. LONG SHOT - Two Zulus are seen in silhouette high
The Age of Innocence
[At the Theatre in the evening. Newland Archer enters the box. Steps to the front,
joining the company of several men, including Larry Lefferts and Sillerton Jackson. Larry
looks at stage through pearl opera glasses. Then he swings his opera glasses away from
the stage and toward another box. He sees the figure of a woman entering a box across the
way. Although the woman, sil
My Own Private Idaho
My Own Private Idaho was first shown at the Venice Film Festival
in 1991. The cast includes:
MIKE WATERS River Phoenix
SCOTT FAVOR Keanu Reeves
RICHARD WATERS James Russo
BOB PIGEON William Reichert
GARY Rodney Harvey
CARMELLA Chiara Caselli
DIGGER Michael Parker
DENISE Jessie Thomas
BUDD Flea
ALENA Grace Zabriskie
JACK FAVOR Tom Troupe
HANS Udo Kier
JANE LIGHTWORK Sally Cur
SAM ACE ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and gets inside to turn on the ignition.
ACE: (Voice-over) When you love someone, youve gotta trust them. Theres no other way. Youve got to give them the key to everything thats yours. Otherwise, whats the point? And, for a while . . . I believed thats the kind of love I had.
(Suddenly, the car explode
Melinda And Melinda Script
The essence of life isnt comic.
lts tragic.
Theres nothing intrinsically funny about the terrible facts of human existence.
l disagree. Philosophers call it absurd because, in the end, all you can do is laugh.
Human aspirations are so ludicrous and irrational.
l mean, if the underlying reality of our being was tragic,
my plays would make more than yours,
because my stor
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES
BARRY LYNDON
A Screenplay by Stanley Kubrick
Based on the novel by William Makepeace Thackeray
FADE IN:
EXT. PARK - DAY
Brief shot of duel.
RODERICK (V.O.)
My father, who was well-known to the
best circles in this kingdom under
the name of roaring Harry James, was
killed in a duel, when I was fifteen
years old.
EXT. GARDEN - DAY
Mrs. James, talking with a suitor; Roderick, at a
distance.
RODERICK
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h