In Like Flint Script
Lisa, Paris is on the phone.
- About the hemline again? Ill take it.
- Mm-hmm.
Hello? Please, Paris.
It has been decided.
Mm-hmm. Mm-hmm. Thats correct.
- Lisa, how do you like this?
- Its very nice. Just fine.
- Put it through immediately.
- Thank you.
Lovely.
The color, the drama!
- It is fantastic!
- Its glorious!
Blast off.
Why not?
Come along, ladies.
Ladies. Ladies!
- W
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
1. Introduction
This report is discussing about the environmentally friendly ideas and concept with academic viewpoints of management sector. It contains environmental approaches toward relationship with the society, natural environment and traditional theories of business administration in energy, wastes, impact of the disasters caused by pollutions.
The main intention is to give some insigh
Ernest Miller Hemingway
20세기 미국의 대표작가
Lost Generation (전후 세대)
삶의 공허함과 부조리를 표현
도전과 투쟁 역시 나타남
하드보일드 문체의 선구주자
빙산이론 (함축적 생략)
당시의 시대상황
연합군의 1차 세계대전 승리
철저히 파괴된 유럽과는 달리 미국은 엄청난 경제성
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
Guilty As Sin Script
Sustained.
Proceed, Mr Schiff.
when you entered that
Suite 405 of the Holiday lnn.
Mr Lombardo was alone in
the room with Richard Colbert,
a deputy director of the
lnternal Revenue Service,
who was kneeling beside a coffee table
counting out stacks of $100 bills.
And will you tell the jury
how you knew of this...
Therefore, with probable cause,
you applied for a warrant?
- Ye
Catch That Kid Script
Oh, no.
- Hi, Mom. - Hello, Madeline. What are you doing?
Uh, homework.
Over spring break?
Youre not climbing, are you?
Cause you know I dont want you to be climbing.
No, Mom.
Im not climbing.
Mrs. Phillips, theyve been waiting for you.
Im sorry. Just one second.
Sweetie, Im gonna be late, so Im gonna need you to...
Pick up Max from day care. Surprise.
Yeah. Its not gonna be
DUNE
the motion picture screenplay
Foreword by Matthew Robinson and Kirk Boweat City University, London England
There are a number of things to note about this script:
The formatting is not exactly the same as the script that it was copied from. However, the scenes are all on the same pages that they appear in the script.
The pages are not numbered because the original script contained inconsi
MISSION IMPOSSIBLE 2
By
Robert Towne
Revised. 12/4/99
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
A WORN SATCHEL (MOVING - DAY)
is being carried by a world weary middle European wearing a black
armband. VLADIMIR NEKHORVICH exits a gleaming building, pausing
for a moment, under a motto clearly visi
THE MASK
Revised by Chuck Russell
Third Draft
April 21, 1993
SHOOTING DRAFT
EXT. HIGH SEAS - DAY
The dragonhead prow of an ancient Viking ship cuts through the thick fog of the rough North Atlantic Sea.
MUSIC EXPLODES: WAGNERS "GOTTERDAMMERUNG" (Twilight of the Gods)
SUPERIMPOSE: THE TENTH CENTURY A.D.
EXT. BOW OF THE SHIP - DAY
Viking explorer LEIF ERICSON carefully studies his fob compass as he