A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
We are floating up a steep scrubby slope. We hear male voices gently singing "Tumbling Tumbleweeds" and a deep, affable, Western-accented voice - Sam Elliots, perhaps:
VOICE-OVER
A way out west there was a fella, fella I want to tell you about, fella by the name of Jeff Lebowski. At least, that was the handle his lovin parents gave him, but he never had much use for it himself. This Lebowski, he
The Witching Hour
Screenplay by ANNE RICE
??
??
FADE IN:
EXT. A SCOTTISH MOOR - NIGHT - 1670 A.D.
Far off, a massive stone castle looms. Trees silhouetted an
the horizon against the star-dotted, qreen-purple sky. The branches of one tree seem to reach
for the stars...
TRACKING IN - the tree is A HOODED FIGURE: SUZANNE - 20, golden hair spilling from her hood,
dazzling green eyes. Nestled in the f
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
Science fiction plucks from within us our deepest fears and hopes then shows them to us in rough disguise: The monster and the rocket.
W.H. Auden
We live, as we dream - alone.
Joseph Conrad
"ALIEN"
FADE IN:
SOMETIME IN THE FUTURE:
INT. ENGINE ROOM
Empty, cavernous.
INT. ENGINE CUBICLE
Just Buried Script
You mightve taken
the wrong exit.
You really think
I look good?
I told you, you look fine.
I-- Its just we havent
seen him in a very long time,
I want to make
sure I look good.
Hes dead, Ollie.
Ive only ever
seen deer on TV.
Should pull it
off the road.
I gotta take a leak.
Me? I dont want to
pull it off the...
It might have diseases, Jackie!
Uh, Jackie?
Is he with you?
Um...
P
A VIDEO IMAGE FLICKERS TO LIFE. A ruggedly handsome man with dark, haunted eyes. Eyes that have seen hell.
NEVILLE
My name is Robert Neville. Today is October 17th,
the year 2002. I was born in 1960, on this very day,
so that makes today my birthday. (remembering)
Every year for my birthday, my wife Ellen would throw
me a party. A kids party. Cake, ice cream, funny hats,
"Pin the Tail on the Donk
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue
South Park:
Bigger, Longer and Uncut
By
Trey Parker
Matt Stone
&
Pam Brady
FADE IN:
Very happy, Disneyesque MUSIC swirls in.
PAN DOWN from a pretty blue sky, to a small quaint town
nestled in the hills. A wooden sign tells us this is South
Park.
EXT. SOUTH PARK AVENUE - DAY
Birds fly into the air, TOWNSPEOPLE smile to each other as
they walk by.
It is a scene reminiscent of, if not directly rippe
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h