The Aviator Script
Q-U...
...A- R...
...A- N-T...
...l- N-E.
Quarantine.
Q-U-A-R...
...A- N-T...
...l- N-E.
Quarantine.
You know the cholera?
Yes, Mother.
Youve seen the signs on
the houses where the coloreds live?
Yes, Mother.
You know the typhus?
I do, Mother.
You know what they
can do to you?
Yes, Mother.
You are not safe.
You may be directing this movie,
but what youre asking, we cant do.
Don
TRUE LIES
WRITTEN
BY
JAMES CAMERON
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TITLE SEQUENCE
1 EXT. MOUNTAINS, NEAR GENEVA, SWITZERLAND - NIGHT
The snow covered Alps stand out clearly in the light of a full
moon. A fortress-like CHATEAU is situated in a flat saddle of
forest partway up the mountain, next to a frozen lake. The
property is surrounded by high stone walls, and the stately
grounds are bathed in floodli
Starship Troopers
??
Screenplay by Edward Neumeier
Based on the novel by Robert Heinlein
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1 FROM THE FEDERAL NET -- NOTICE -- JOIN UP NOW !
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Proud YOUNG PEOPLE in uniform, the bloom of human evolution.
YOUNG PEOPLE
Im doing my part... Me, too...
Are you ?
The mobile infantery logo: LIGHTNING BOLTS ON A BLACK SHIELD.
OFFICIA
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES
WAG THE DOG
by
David Mamet
FADE IN:
A CARD, WHITE ON THE BLACK SCREEN, READS
Why does a dog wag its tail?
BENEATH IT, THE NEXT LINE FADES IN:
Because a dog is smarter than its tail.
CROSS-FADE TO THE NEXT CARD, WHICH READS:
If the tail were smarter, the tail would wag the dog.
DISSOLVE
FADE IN:
EXT THE WHITE HOUSE NIGHT
A VAN FULL OF PEOPLE STOPS AT A SIDE ENTRANCE.
ANGLE INT THE WHITE HOUSE
AT T
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
X-Men
By
Ed Solomon
Revisions:
Chris McQuarrie
Tom DeSanto
Bryan Singer
February 24, 1999
BLACK
Sounds of a train rolling to a halt, a shrill whistle.
EXT. CAMP - DAY
UP ON the door of a weathered cattle car as a German
soldier steps into frame wearing that familiar gray of
the all-too familiar era.
He throws the door to reveal a mass of huddled and
frightened people inside.
The words are not nec
A SILHOUETTED MAN in front of mirror dons his Marine dress blues. Spit polish shoes laced. Medals clipped to jacket. All in CLOSEUP. We never see him fully.
The Man puts HIS HAT squarely on his head. EYES glint.
On the mans dresser: MARINE MEMORABILIA. Three Purple Hearts, photos of a WOMAN (his wife), PHOTOS OF MARINES in combat locales.
TIGHTER INTO THE PHOTOS
We HEAR PANICKED VOICES, EXPLOSION
It is very early in the dawn -blue light filters through the jungle and across a foul swamp. A mist clings to the trees. This could be the jungle of a million years ago.
Our VIEW MOVES CLOSER, through the mist, TILTING DOWN to the tepid water. A small bubble rises to the surface; then another. Suddenly, but quietly, a form begins to emerge; a helmet. Water and mud pour off revealing a set of bead