THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
X-Men
By
Ed Solomon
Revisions:
Chris McQuarrie
Tom DeSanto
Bryan Singer
February 24, 1999
BLACK
Sounds of a train rolling to a halt, a shrill whistle.
EXT. CAMP - DAY
UP ON the door of a weathered cattle car as a German
soldier steps into frame wearing that familiar gray of
the all-too familiar era.
He throws the door to reveal a mass of huddled and
frightened people inside.
The words are not nec
Contact
??
FADE IN:
INT. ARROWAY HOUSE - EVENING
We open on the upstairs of a two-story house, where we see a young girl
talking into a radio transmitter.
YOUNG ELLIE
CQ, this is W9GFO. CQ, this is W9GFO here, come back. CQ, this is
W9GFO here, come back. CQ, CQ, this is W9GFO, is anybody out
there? (looks to her father) It not getting anything.
TED ARROWAY
Small moves Ellie, small moves.
YOUNG E
- The “new world” that Columbus boasted of to the Spanish monarchs in 1500 was neither an expanse of empty space nor a replica of European culture, tools, textiles, and religion, but a combination of Native, European, and African people living in complex relation to one another.
- The Native cultures Columbus found in the New World displayed a huge variety of languages, social customs, and cr
DUNE
the motion picture screenplay
Foreword by Matthew Robinson and Kirk Boweat City University, London England
There are a number of things to note about this script:
The formatting is not exactly the same as the script that it was copied from. However, the scenes are all on the same pages that they appear in the script.
The pages are not numbered because the original script contained inconsi
sky. He takes a pair of electrobinoculars from his utility belt and through them sees smoke rising from where the probe robot has crashed. The wind whips at Lukes fur-lined cap and he activates a comlink transmitter. His Tauntaun shifts and moans nervously beneath him.
LUKE
(into comlink)
Echo Three to Echo Seven. Han, old buddy, do you read me?
After a little static a familiar voice is heard.
Fargo
Screenplay by William Richert
Joel Cohen
Ethan Cohen
Produced by Ethan Cohen
Directed by Joel Cohen
Cast List:
Frances McDormand Marge Gunderson
William H. Macy Jerry Lundegaard
Steve Buscemi Carl Showalter
Peter Stormare Gaear Grimsrud
Harve Presnell Jerrys Father-In-Law
Kristin Rudrud Jean Lundegaard
John Carroll Lynch Norm Gunderson
The following text fades in over black:
"This is a tr
electronic tinniness, as broadcast over a monitor. Fran
looks about. She is still shaken from her dream.
3 We see the television studio. Reporters buzz about madly.
Everybody looks dishevelled and exhausted. Technicians man
monitors, and we see people on the little screens, arguing
emotionally.
4 Voice: WHATS MAKING IT HAPPEN? WHAT THE HELL
DIFFERENCE DOES IT MAKE, WHATS MAKING IT
HAPPEN.
Voice:
Fear And Loathing In Las Vegas Script
[ Woman ]~ Raindrops on roses ~
~ And whiskers on kittens ~
~ Bright copper kettles ~
~ And warm woolen mittens ~
~ Brown paper packages ~
~ Tied up with string ~
~ These are a few ~
~ Of my favorite things ~
[ Duke Narrating ]We were somewhere aroundBarstow, on the edge of the desert...
when the drugsbegan to take hold.
[ Duke ]I remember saying something li