Oliver! Script
Is it worth the waiting for
if we live till
All we ever get is gruel
Every day we say a prayer
Will they change the bill of fare
Still we get the same old gruel
There is not a crust
Not a crumb can we find
Can we beg
can we borrow or cadge
But theres nothing to stop us
from getting a thrill
When we all close our eyes
And imagine
Food, glorious food
Hot sausage and mustard
While we
SCREAM 3
EHREN KRUGER
2nd DRAFT - REVISED
MAY 2, 1999
FADE IN:
A big dramatic crescendo as we --
OPEN ON:
EXT. HOLLYWOOD FREEWAY - SUNSET - AERIAL
Friday night traffic as usual. Things appear to be backed up all the way to
the valley. A cacophony of car horns rise up on the soundtrack as we slowly
DISSOLVE INTO:
INT. FORD EXPLORER - NIGHT
A new 99 Explorer sits in the midst of the gridlock. Beh
Barbershop 2 Script
Get out of the way! Move!
Come on.
Come on, man.
Get up.
Come on.
Shoot!
Suspect out of the way.
Headirhg toward Excharhge.
Move it!
Qut of the way!
Hold it!
Dont move! Dont move!
Get away from that window!
Get over there!
Do what I say!
Qh, shit. Pick up my meat.
- You hungry, brother?
- Do I look hungry? Get over there!
I might be a little hungry,
but get your hands up!
- He
-------------------------------------------------------------------
Out Of Towners Script
- Gwen, come on!
- Im on my way, George! Dont holler!
Come on! Hurry up!
Oh, I forgot my purse.
- Where are you going?
- Come and say goodbye to Daddy.
- Bye.
- Bye, Mom.
I dont know why you rushed me,
George. We have an hour...
To give ourselves plenty of time.
What if we had a flat?
Were married years,
we
Open Range Script
Think shell get over thisaway?
Might.
Best bed them down.
Come on, Tig.
There she goes.
Looks like were in for it.
You see them?
Cant see them. Cant hear them.
You ever seen one this bad?
Not since Noah and the flood.
Well, you should know, Boss, since you was there.
What did you say?
He said, "You should know since you was there."
Well, even that wasnt this damn wet.
One things
Northfork Script
Always late
With your kisses
Wont you come to my arms,
sweet darlin
And stay?
Always late
With your kisses
Why, oh, why do you
want to do me this way?
How long do you think
I can wait
When you know
youre always late
Always late
With your kisses
Why, why, why do you want
to do me this way?
That was Lefty Frizzells
"Always Late with Your Kisses."
Before that,
we heard Buck Owens.
G
Mommie Dearest Script
Yes?
Were ready for you, Miss Crawford.
Lets go!
And on our left, up the hill, is the
home of movie queen Joan Crawford.
Excuse me.
- Helgas finished in the living room.
- Good.
Carol Ann, help me with this.
Helga! When you polish the floor,
you have to move the tree.
If you cant do something right,
dont do it at all.
- Im sorry, Miss Crawford.
- Give me the soap!
You see, C
The Addams Family Script
~ Merry, merry, merry Christmas ~
~ Dong what they send,
dong without end ~
~ Their joyful tone to every home ~
~ Dong what they send,
dong without end ~
~ Their joyful tone to every home ~
~ Ding dong, ding dong ~~
~ La-la la la la ~
~ Fa la-la la la ~
~ Deck the halls
with boughs of holly ~
~ Fa la la la-la ~
~ La-la la la ~
~ Tis the season to be jolly ~
~ Fa la la la-
DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into...
INT. MAXIMUM SECURITY - NIGHT
Security cells. Criminal maniacs sealed behind protective casings.
A GUARD stands before a heavy door.
GUARD
Hell of a night, huh Doc?
BURTON
Hells in here.
Hydraulics HISS. The cell door unseals.
INT. SECURE ISOLATION CELL
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,