Broadcast News
by
James L. Brooks.
FADE IN
EXT. CITY STREET - DAY
A restaurant supply truck is curbside, near a small
restaurant. GERALD GRUNICK, forty-one, is closing the back
door of his truck, feeling good about the world, a common
state for him. He moves towards the cab of the truck and gets
inside as we SUPER:
KANSAS CITY, MO. - 1963
INT. TRUCK - DAY
As he sits down beaming over his recen
In Like Flint Script
Lisa, Paris is on the phone.
- About the hemline again? Ill take it.
- Mm-hmm.
Hello? Please, Paris.
It has been decided.
Mm-hmm. Mm-hmm. Thats correct.
- Lisa, how do you like this?
- Its very nice. Just fine.
- Put it through immediately.
- Thank you.
Lovely.
The color, the drama!
- It is fantastic!
- Its glorious!
Blast off.
Why not?
Come along, ladies.
Ladies. Ladies!
- W
TV REPORTER: Treasure hunter Brock Lovett is best known for finding Spanish gold off islands in the best Caribbean. LIZZY: It’s OK, I’ll get you in a minutes. Come on. TV REPORTER: Now he is using Russian subs to reach the most famous shipwreck of all, the Titanic. He is with us live via satellite from the research ship Keldysh in the North Atlantic. Hello, Brock. BROCK: Hello, Tracy. Of cour
구조물과 기계의 경우, 재료에 따라서 또는 하중의 종류에 따라서 여러 가지 형태로 파괴된다. 따라서 구조물의 설계자는 이들 부재의 최대 응력과 최대 처짐이 견딜 만한 한도 내에 들도록 부재를 설계함으로서 이러한 파괴를 피하도록 한다. 그러므로 부재의 강도(strength)와 강성도(stiffness)는 설계상
1. 배경
(1) Endostatin이란
암은 그 치료의 어려움때문에 인류가 해결해야할 난제로 여겨져 왔다. 암이란 발암물질, 바이러스 또는 유전적 변이로 인해 비정상적으로 증식한 세포의 덩어리이다. In vivo에서의 암의 특징으로 나타나는 점은 조절되지 않은 증식을 하고, apoptosis를 하지않으며 자체적으로 혈
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
Hostage Script
I need to talk to that motherfucker!
You hear me?
I want to talk to that fucker right now!
I want that motherfucker!
(gun cocks)
(man) You find that bastard now.
or I am gonna...
Im gonna shoot my whore wife.
and Im gonna shoot the boy!
Joe, just relax.
Relax. Were looking
for your wifes boyfriend,
- and Im gonna find him, all right?
- You want to help me?
Which one do I shoot firs
THE LIMEY
by
LEM DOBBS
draft 08/03/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FROM THIS SOFT COPY.
Wilsons first impression of Los Angeles was blue. He was in
the sky at the time, so it was a curious reversal, looking
down rather than up at the color he had always felt was
natures finest.
Swimming pools. Hundreds of them. Pockmarking the landscape
like m
Cat In The Hat Script
[Narrator]
There are gajillions of stories...
of mischief and fun,
but to keep things simple,
lets start with just one...
about a mom and two kids...
and a house and a hat...
that, oddly enough,
was worn by a cat.
But soon enough
we will get to all that.
In the valley that stretches
from this hill to that hill,
a city is nestled...
that city is Anville.
- [Kid] Hurry up!
Wel
TITLE SCREEN
"A Movie" appears in a formal typeface while a bold fanfare plays in the
background, suddenly the characteristic red polygon logo appears and the
letters GOOFY fly on the screen, knocking the formal title askew and
accompanied by the trademark "Goofy" scream. The orchestra responds with a
soft, condescending chord.
EXT. WHEAT FIELD
The movie logo scrolls upward off the blue backgroun