A school bus. TWO very buxom PROSTITUTES are being handcuffed by a plain clothes special agent, CHESTER DESMOND. Another AGENT has his gun to the spread eagled BUS DRIVERs head. The KIDS inside the bus are screaming. The phone inside Chester Desmonds car starts to ring. Desmond walks to the car.
INT. DESMONDS CAR - DAY
Desmond picks up the ringing phone.
DESMOND
Yes...
INTERCUT WITH:
COLE
COLE
Ch
RONIN
an original screenplay by
J.D. Zeik
DRAFT: May 20, 1997
A BLOOD RED SCREEN - A JAPANESE DRUM starts to play, softly,
but tinged with a desperate edge, growing louder, joined by
other DRUMS as a BLACK LEGEND scrolls up: In feudal Japan,
the warrior class of Samurai were sworn to protect their
liege lords with their lives. Those Samurai whose liege was
killed suffered a great shame, and they
SOMEONE TO WATCH OVER ME
??
by
Howard Franklin
Danilo Bach
David Seltzer
??
??
Revisions by Danilo Bach
FADE IN:
INT. MIKES HOUSE - QUEENS - EARLY EVENING
Winter. A celebration. Close friends, cop friends,
family all here to celebrate patrolman MIKE KEEGANS
promotion to detective, NYPD.
The party spills through the house -- front room, dining
room, kitchen, with a small fenced backyard visible be
Kicking And Screaming Script
I think violence
is always justified some of the time.
- So if I disagree, that means youre gonna hit me.
- Hey, Grover.
Hey, Gail.
Who would you rather be stranded
on a desert island with? MacNeil or Lehrer?
Ebert.
Oh, Ill tell you the worst thing
about losing a foot. Hey, man!
Evening.
Jane, I knew youd win the fiction prize.
Youre a -Youre a brilliant writer.
Would
One Eight Seven Script
All right, lets go, people!
One minute before tardy lockdown!
Lets go! Everybody move inside!
Good morning.
Lets go! Let her go!
No smoking! I dont smoke,
you dont smoke!
Lets go, people!
Todays a good day to learn.
Watch yourselves!
No riding bikes in the hallways, stupid!
Coming through!
You late, Garfield. You late!
Au contraire, my homeboy.
The bell hasnt rung yet.
- Yo
SERIAL MOM
by
John Waters
Second Draft: July 22, 1992
1. Film opens with prologue title: "This is a true
story. The screenplay is based on court testimony,
sworn declarations, and hundreds of interviews
conducted by the film-makers". Fade out.
Fade in to second prologue title: "Some of the
innocent characters names have been changed in the
interests of a larger truth". Fade out.
Fade in to final
The Nutty Professor Script
- * Hey, hey Hey-hey-hey * - Lets sweat!
- * Macho, macho man * - * Macho man *
- Come on! - * Ive got to be *
- Thats right! Shake it, honey! - * A macho man *
* Macho, macho man *
- Oh, yeah! Like a pony! Im a pony! - * Ive got to be a macho *
Dont you feeI Iike a pony when you sweat?
- Oh, yeah! Yeah! Go! - * Ive got to be *
- Go! Do it! Come on! - * A macho man *
*
A high AERIAL SHOT of the island features the Statue of Liberty prominently in the foreground then TRAVELS ACROSS the harbor, OVER the Battery and Lower Manhattan to Greenwich Village.
EXT. EAST 77TH STREET - DAY
A car is being hoisted up by a municipal tow truck while its owner is having a terrible screaming argument with a parking enforcement officer. DANA BARRETT comes home pushing a baby bugg
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
Be Cool Script
Sequels.
Its the only time I gave in in my life.
But sometimes,
you gotta do it the studio way.
What are you talking about?
- Get Lost?
- Yeah.
I thought the first one
was pretty good.
- Get Leo?
- Terrific picture. Terrific!
And you know what else?
It was good.
You know what Im thinking, Tommy?
Im thinking of getting out
of the movie business.
Go back to my old job.
- What, being