HIGHLANDER III
by
Brad Mirman
First Draft
PROPERTY OF DAVIS/PANZER PRODUCTIONS
1
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FADE IN:
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EXT. COUNTRYSIDE - DAY
The end of Winter. SNOW blankets the landscape. A SMALL
STREAM rushes through the VALLEY. A clear, blue sky hangs over
the DISTANT MOUNTAINS adding to the beauty of the setting.
SUPER IMPOSE: SCOTTISH LOWLANDS - 1665
The CAMERA begins to PAN. The color of the SNOW begins to
chang
The Long Kiss Goodnight Script
Christmas
Christmas
Christmas
Well, its Christmastime,
pretty baby
And the snow
is falling on the ground
Christmas
Christmas
Got no sleigh with reindeer
No sack on my back
Youre gonna see me coming
In a big, black Cadillac
Oh, its Christmastime,
pretty baby
And the snow
is falling on the ground
Mrs Claus is hot!
Well, youve been
a real good lover...
My name is Saman
A hand reaches for it, bringing the receiver up to the face of CASEY BECKER, a young girl, no more than sixteen. A friendly face with innocent eyes.
CASEY
Hello.
MANS VOICE
(from phone)
Hello.
Silence.
CASEY
Yes.
MAN
Little Mermaid 2: Return To The Sea Script
You are my world
My darling
What a wonderful world
I see
You are the song
Im singing
Youre my beautiful Melody
Darling
wed better be going
Look at her
Isnt she glowing
She looks divine
and you look exquisite
- But look at the time
- Couldnt be, Is it
The crew
is awaiting your orders
Were sailing away
from our borders
- Steady, boy, steady.
- Ahoy there!
BARRY LYNDON
A Screenplay by Stanley Kubrick
Based on the novel by William Makepeace Thackeray
FADE IN:
EXT. PARK - DAY
Brief shot of duel.
RODERICK (V.O.)
My father, who was well-known to the
best circles in this kingdom under
the name of roaring Harry James, was
killed in a duel, when I was fifteen
years old.
EXT. GARDEN - DAY
Mrs. James, talking with a suitor; Roderick, at a
distance.
RODERICK
Lover Come Back Script
This is Madison Avenue,
center of the advertising world.
In these steel and concrete
beehives are born the ideas
that decide what we will
eat, drink, drive and smoke,
and how we will dress, sleep,
shave and smell.
In all beehives,
there are workers and drones.
This is a worker.
Thank you.
And this is a drone.
Jerry, Honey...
Youre at work.
Good night, darling.
- Good night.
Lying in bed, coughing. Pale, one sick cookie. Maybe hes seven or eight or nine. He holds a remote in one hand, presses it, and the video game moves a little bit. Then hes hit by another spasm of coughing, puts the remote down.
His room is monochromatic, greys and blues, mildly high-tech. Were in the present day and this is a middle class house, somewhere in the suburbs.
CUT TO:
The Kids MOTHER
THE PIANO LESSON
Screenplay for a film by
JANE CAMPION
Producer
JAN CHAPMAN
Script editor
BILLY MACKINNON
Maori dialogue and translator
SELWYN MURU
(c) copyright:
Jan Chapman Productions Pty Ltd
2 Fairlight Street Leichhart 2040
NSW Australia
4th draft 1991
Developed with the assistance of
The Australian Film Commission
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Sc 1 Sc 1
AD
The Nutty Professor Script
Miss Lemmon! Miss Lemmon!
Miss Lemmon!
What...?
Doctor Warfield!
Miss Lemmon, get Professor Kelp
in here immediately.
But, Dr Warfield, I think Professor Kelp
has a class right now.
He had a class. Cant you hear?
Now, get him!
Fires up here.
Get the axe! Get the axe!
All right, men,
all together at the door.
Look out! Look out! Look out!
Oh, oh... I beg your pardon.
Oh,
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc