female portion ruled the house; the stores were in common; but woe to the luckless husband or lover who was too shiftless to do his share of the providing.
⇒ 보통 여성의 역할은 가정을 지배하는 것이었다.; 저장품은 공동의 것 이었다; 그러나 문제는 공동 저장물에서 그의 몫을 챙기기에는 너무 꿈도 야망도 없는 불운한 남편과 정부
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue
female
companionship. Wait a minute.
Thats a swell preacher act you got, pal.
I gotta catch a rattler myself. Ed,
we still got the whole night ahead of us.
Whatever you do, never lose
that little black address book.
Merry Christmas!
Mr Gantry?
And a merry Christmas to you too, sir.
Youll have to chalk it up.
The rest of these drinks, too.
Charity.
I oughta get myself a tambourine.
Thats the troub
Eight Millimeter
written by
Andrew Kevin Walker
5/06/97
first
INT. MIAMI AIRPORT, TERMINAL -- DAY
Amongst the weary tourist families and solitary businessmen
sits TOM WELLES, middle-aged, hair neat, suit crisp and
gray. Hes eating crackers from a cellophane package,
sipping soda from a paper cup, watching an ARRIVAL GATE.
AT THE GATE
PASSENGERS arrive: the paunchy, graying men of First Class
lead
CRUEL INTENTIONS
by Roger Kumble
based on the novel Les Liaisons Dangereuses
by Choderlos De Laclos
February 10, 1998
1 EXT. MANHATTAN SKYLINE - DAY 1
We circle around the island of Manhattan moving closer and
closer till were looking down on Fifth Avenue. As the
melody continues to play we MOVE towards a building and ZOOM
into a window.
2 INT. THERAPISTS OFFICE - DAY 2
A fifty-year old female th