PANORAMA of the San Fernando Valley, its night sky lit from
within by a strange GREENISH LIGHT. TITLES BEGIN.
CAMERA TILTS DOWN and ZOOMS SWIFTLY into the valleys web of
light.
CUT TO:
2. INT. CONCRETE PASSAGEWAY. 2.
TITLES CONTINUE as TINA GRAY, a strong girl of fifteen in a thin
night shift, moves towards us down a dark concrete corridor. Her
steps quicken as TITLES appear in the portion of fra
course.
I must remember to use last names.
- Hussein!
- Yes, sir?
For Gods sake, you!
- Is that your brother?
- Hussein?
Why is he voting?
Its not his fault.
He is the campaign manager.
- What? For who?
- Mohammed Hussein.
- Yes, sir!
- Quiet!
All right, everyone.
Well, whos going to be the first?
I am.
Ah, very good. Very good.
And what is your name, young man?
- Mu...
- Forget it. Mount up.
- A
COURSE/CANYON - ESTABLISHING SHOT - DAY
A HIGH VANTAGE POINT shows us the steep rocky cliffs which form a
U around the dry-bed watercourse. The runaway ram has made the
mistake of entering what amounts to a dead end canyon.
EXT. CANYON - FURTHER IN
The runaway ram scampers past. The BOY is not far behind, kicking
up sand and pebbles as he chases after the ram.
EXT. CANYON - DEAD END
The BOY comes
panorama is dappled by the rays of the soon to be setting sun.
4 INT. AMTRACK TRAIN -- LATER DAY 4
The train is almost full, moving slower. Somerset has his
suitcase on the aisle seat beside him. He holds a hardcover book
unopened on his lap. He still stares out the window, but his
face is tense. The train is passing an ugly, swampy field. The
sun has gone under.
Though it seems impossible it eve
course he denies everything.
He didnt go there to see the movie,
he went there to see...
- The sex bomb.
- So, I decided.
There is a lack of trust here!
So I go: "What else
has he hid from me?"
He goes: "I hate jealousy.
Change or its over."
So I go: "Im not changing,
its over."
Since hes a wimp,
he gave in.
Love means leaving room
for mistakes.
No.
Love means never having to say:
"I told you so"