미국대학_과제_동양미술역사_Asian Art History_UNC-CH_Paper_Li Cheng_Ju Ran

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The image chosen for this paper, Zhao Boju’s River and Mountains in Autumn Color, sends a theme of strength to viewers and allows them to have extraordinary experience that they are almost as if at the natural site depicted in the picture through its certain way of use in subject matter, brushstroke, lines, composition, and movement.
The natural landscape sends the strength feeling. Anne Gerritsen, the writer of an article called, Ji’an Literati and the Local in Song-Yuan-Ming China, says, “The landscape as a whole was at the same time a manifestation of the greater powers that shaped both the landscape itself and the lives of the local population.” The subject matters used for the image effectively let viewers feel the strength of the nature. The mountains in the background are huge, tall and straight taking up half of the picture. Such immenseness and straightness make viewers feel the strength of the nature. Historically, Sherman Lee, the writer of a book called,