All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"
Come See the Paradise
SCENE 1
MINI
Why are we so early?
LILY
Its good to be early.
MINI
Do you ever worry that you wont recognize him, Mama?
LILY
You recognize me, dont you? Why shouldnt you recognize him?
MINI
Well, he might have grown a beard or a mustache or something, and
I was so little...I only think I remember him. Do you think
hell remember me?
LILY
Well, he has all your photographs and
FIGHT CLUB
by
Jim Uhls
based on a novel by
Chuck Palahnuik
2/16/98
SCREEN BLACK
JACK (V.O.)
People were always asking me, did I
know Tyler Durden.
FADE IN:
INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE -- NIGHT
TYLER has one arm around Jacks shoulder; the other hand
holds a HANDGUN with the barrel lodged in JACKS MOUTH.
Tyler is sitting in Jacks lap.
They are both sweating and disheveled, both around
It is 7:14 P.M., Monday, September 22, 1975, and we are watching the network news programs on CBS, NBC, ABC and UBS-TV, the network of our story. The AUDIO is OFF; and head shots of WALTER CRONKITE, JOHN CHANCELLOR, HOWARD K. SMITH and HARRY REASONER, and of course, the anchorman of our network, HOWARD BEALE, silently flit and flicker across the four television screens, interspersed with the news
It is very early in the dawn - blue light filters through the jungle and across a foul swamp. A mist clings to the trees. This could be the jungle of a million years ago.
Our VIEW MOVES CLOSER, through the mist, TILTING DOWN to the tepid water. A small bubble rises to the surface; then another. Suddenly, but quietly, a form begins to emerge; a helmet. Water and mud pour off revealing a set of bea
Boys on the Side
SCENE 1
JANE
Thank you. Im Jane DeLuca, this is Johnny Figgis,
and our band.
MAN
Im going to take a leak, Babe.
WOMAN
Bye.
JANE
Did you see that bitch, man?
JOHNNY
Fuck her.
JANE
Im going to fuck her!
JOHNNY
Wait! J...J...Jane!
JANE
Girl, that man is so fine!
WOMAN
Yeah, actually he is.
JANE
Is this your first date?
WOMAN
Mm hm. Listen, do you need to clear something? Go
ahead
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
to that evening her mother acted
so strangely.
A LAWYER is unpacking a briefcase in the living room off the
front entrance.
Carolyn sees a car with Florida plates driving up to the
house. She smiles.
EXT. JOHNSON HOUSE - DAY
Carolyn steps out of the doorway and heads for the car, out
of which exit her brother Michael and his country girl wife
BETTY, a stout buxom chatterbox. Both boast Fl
Life Or Something Like It Script
Things happen.
Things you never see coming.
And you think afterward,
"If Id known this,
"would I have changed things?
"Would I have done more?
What would I be thinking?"
I need more time.
Hey, Pudge.
Stand by. Take - . Cue.
Standing by. Over the shoulder to - .
Yes, I know. They wont let you in.
They never want to let us in.
Just get in there as soon as possible.
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES