Ⅰ. 서론
언어습득이론을 시대별로 분류하면 구문, 통사, 의미, 화용, 음성, 음운시대로 구분할 수 있다. 시대별 학자들 보면 1950, 60년대는 구문시대라고 하여 Skinner, Chomsky 가 있다. 스키너(Skinner)는 행동주의이며 자극을 주어 반응을 일으켜 이를 강화한다고 여긴다. 이에 반해 촘스키는 (Chomsky) 선천
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
Midnight Cowboy Script
[HORSE HOOVES POUNDING
AND SIX-GUNS SHOOTING]
[COWBOYS AND INDIANS
HOOTING AND HOLLERING]
[SPRING SQUEAKING]
" WHOOPATEE-AY-YO "
" GIT ALONG,
LITTLE DOGGIES "
" ITS YOUR MISFORTUNE
AND NONE OF MY OWN "
" WHOOPATEE-AY-YO "
" GET ALONG,
LITTLE DOGGIES "
" FOR YOU KNOW
NEW YORK "
" WILL BE
YOUR NEW HOME "
" WHOOPATEE-AY-YO "
" GIT ALONG,
LITTLE DOGGIES "
" ITS YOUR MISFORTUNE
SERIAL MOM
by
John Waters
Second Draft: July 22, 1992
1. Film opens with prologue title: "This is a true
story. The screenplay is based on court testimony,
sworn declarations, and hundreds of interviews
conducted by the film-makers". Fade out.
Fade in to second prologue title: "Some of the
innocent characters names have been changed in the
interests of a larger truth". Fade out.
Fade in to final
On The Beach Script
PREPARE TO SURFACE.
[ Helmsman ] PREPARE TO SURFACE.
- DEPTH: 58 FEET. - DEPTH: 58 FEET, SIR.
SONAR, ANY CONTACTS TOPSIDE ?
[ Sonar ] NO CONTACT, SIR.
[ Equipment Beeping ]
TANK CENTER READY TO SURFACE, SIR. VERY WELL.
[ Beeping Continues ]
VENTS SHUT. READY TO SURFACE, SIR.
DEPTH: 58 FEET, SIR. VERY WELL.
UP PERISCOPE.
POINT LONSDALE BEARING, MARK.
013, SIR.
CAPE
Max Script
George.
So glad you like it.
Rothman?
Whos this Rothman?
Max Rothman.
Isnt his father in shoes?
- Think so.
- Shoes or frocks.
Shoes, frocks, or stocks.
The Duke of Westminster used
to own a spaniel called "Jew"--
except when his Rothchild
banker came over.
Then they called him "Joe."
Oo-ooh, champagne.
Max.
Why are you wasting this divine
tipple on these swine?
lnsecurity, I suppose.
Runaway Bride
Screenplay by
Sarah Parriott & Josann McGibbon
FADE IN
EXT. AN IMPOSSIBLE EXPANSE OF MARYLAND FARMLAND - DAY
The wind rustles the endless field of corn, blows over the
freshly mown meadow of soybeans, and magically sways a copse of
trees.
Its a Fall after-noon. A SUDDEN POUNDING OF GALLOPING HOOVES
breaks the peace and... A HORSE and RIDER burst between the rows
of corn into th
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
Abandon Script
La-la-la
La-la, la-la-la...
You ready?
Oh. Not going.
Not dressing up like an adult.
Yeah, but were
game-day players.
Come on.
Lets go.
Okay.
l put on the clothes,
and l feel better for a second
like lm somebody
with someplace to go
but then l think
lm a complete fraud
and theyll see
right through me.
...La-la-la
La-la, la-la-la...
A fine fantasy object,
but useful, too--
shitting,