The sun shines brightly on the classic facade of the main library at Fifth Avenue and 42nd Street. In the adjacent park area, pretty hustlers and drug peddlers go about their business.
FRONT STEPS
A few people lounge on the steps flanked by the familiar stone lions.
INT. MAIN READING ROOM - DAY
People are dotted throughout the room sitting at the long oak tables polished by decades of use. Readin
CLOUDS, until we reveal
모
PARIS AT NIGHT
모
We come to rest on an ancient, vaguely wolf-like GARGOYLE high atop a gothic cathedral in the Latin Quarter- a maze of narrow, twisting streets- desolate at this late hour. Clouds move over the moon. End TITLES. The song fades. A THUNDER CRACK. Rain d rops spatter on the churchs metal roof. Water trickles out of the gargoyles mouth. We follow the STR
by total hatred of the male sex. This is URSA.
One of the men, who struts and swaggers like the leader, is got up in a Kryptonian version of
ultra-military attire - 몰Jackboots, high collar, uniform. All this, however, is belied by his
pasty-faced, even sickly appearance. A pathological dictator, as super-Fascist whose only
quality is utter contempt for everyone but himself, whose only goal i
by the Italian Government, and spent considerable time in hospitals. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution. During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work, The Sun Also
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
A Clockwork Orange
Based on the novel by Anthony Burgess
Screenplay by Stanley Kubrick
Produced by Stanley Kubrick
Directed by Stanley Kubrick
Cast List:
Malcolm McDowell Alex
Patrick Magee Mr. Alexander
Michael Bates Chief Guard
Warren Clarke Dim
John Clive Stage Actor
Carl Duering Dr. Brodsky
Paul Farrell Tramp
Clive Francis Lodger
Michael Gover Prison Governor
Miriam Karlin Catlady
James Marc
by his own fireside.
Oh, sir. Sorry, sir. What is this? A scrimmage?
No, sir. Im looking for assembly.
Oh, are you? So am I. Hang onto my tail. Come on.
Locked out.
Well, Ill be
Well, well have to wait. Thats all there is to it.
So youre a stinker? A stinker, sir?
A new boy. That is what we call them here. "Stinkers."
Whats your name? Im Dorset, sir.
Duke of Dorset? I taught your father. He was a
Final Destination
Script: "Final Destination" Origionely Called "FLIGHT 180"
EARLY DRAFT
Written By: James Wong and Glen Morgan
January 15, 1999
**NOTE**** THE FOLLOWING MESSAGE IS A SPOLIER FOR THE MOVIE **** DONT READ
ANY FURTHER IF YOU HAVEN"T SEEN THE MOVIE OR IF YOU DONT WANT TO BE
SPOILED*****
The whole ending was changed for the movie. They changed it so the ending in
this first draft is n