Mean Girls Transcript
This is your lunch, OK?
Now, I put a dollar in there
so you can buy some milk.
You can ask one of the big kids
where to do that.
You remember your phone number?
I wrote it down for you, just in case.
Put it in your pocket,
I dont want you to lose it.
OK? You ready?
I think so.
Its Cadys big day.
I guess its natural for parents to cry
on their kids first day of school.
But, y
GONE IN 60 SECONDS
by Scott Rosenberg
4/6/99
"I wonder," Toad said to himself presently, "I wonder
if this sort of car starts easily?"
Next moment, hardly knowing how it came about, he
found that he had hold of the handle and was turning
it. As the familiar sound broke forth, the old
passion seized on Toad and completely mastered him,
body and soul ... He increased his pace, and as the
car devour
All we can see, filling the entire frame is a flame-orange sky... almost like the sky from the burning of Atlanta in "Gone with the Wind".
SUPERIMPOSE: Presenter credit
PAN DOWN lower and lower until we see the terrain below... the desert. There is no vegetation whatever, just sand and odd-shaped rock formations. The air is filled with red dust, which alternately obscures and then reveals the ima
Arcade
by
David S. Goyer
Last revised November 6, 1990
INT. ARCADE WORLD -- ELECTRONIC DARKNESS
We dont know if its night or day. Its just black.
And maybe...maybe intermittent SPARKS racing by. So quick we barely
perceive them. Like the sparks you imagine when your eyes are closed.
BREATHING,
slow and hollow, filling up the entire world. Its eerie as hell. A
feeling of utter loneliness.
And now
DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into...
INT. MAXIMUM SECURITY - NIGHT
Security cells. Criminal maniacs sealed behind protective casings.
A GUARD stands before a heavy door.
GUARD
Hell of a night, huh Doc?
BURTON
Hells in here.
Hydraulics HISS. The cell door unseals.
INT. SECURE ISOLATION CELL
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
INDIANA JONES AND THE SONS OF DARKNESS
SCREENPLAY BY:
JEFFREY BOAM
STORY BY:
GEORGE LUCAS
"INDY IV"
FROM THE PARAMOUNT LOGO
MATCH DISSOLVE TO:
A mound of sand which resembles the Paramount Logos mountain
peak. On the mounds summit, a CHILDS BRONZE-SKINNED HAND sets
down a crudely fashioned toy ship.
WIDE - A DESERT WASTELAND CAMP
3 BEDOUIN TEENAGERS are performing before a small audience made u
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue