We hear voices: one male, the other female. From the tone of their speech and the accompanying music, we can tell we are entering a romantic scene.
FADE IN:
INT. FANCY NEW YORK APARTMENT - DINING ROOM - NIGHT
Where we see a romantic scene played out between a man and a woman. Both are white. The couple have just finished a candlelit dinner.
BRAD
You like your wine? Want smore?
She nods her approv
Lock Stock And Two Smoking Barrels Script
Three card brag
is a simple form of poker.
You get three cards only.
And these you cant change.
If you dont look at them,
youre a blind man,
you only put in half the stake.
Three of any kind
is the highest,
but the odds are -
against getting any three.
Then theres a running flush,
all the same suit, all in order,
then a straight
and a flush and a pair,
a
THE SWEET HEREAFTER
By
Atom Egoyan
Based on the novel by
Russell Banks
??
Final revised draft
Copyright c1997 Ego Film Arts
All Rights Reserved
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??
FADE IN
INT. SUMMER COTTAGE -- DAY
A young family together in bed. It is a bright summer
morning. Father, mother, and a three year old girl are
still asleep. They are naked. A light breeze drifts into
the room. The scene is serene and softly suspend
CLARENCE WORLEY, a young hipster hepcat, is trying to pick up an older lady named LUCY. She isnt bothered by him, in fact, shes a little charmed. But, you can tell, that she isnt going to leave her barstool.
CLARENCE
In "Jailhouse Rock" hes everything rockabillys about. I mean he is rockabilly: mean, surly, nasty, rude. In that movie he couldnt give a fuck about anything except rockin and rollin,
As presentation credits begin, we hear Johnny Cashs "Home of the Blues." Then we see Allisons name, under it Alexs, under that Roberts, under that Quentins, then under that the title logo for Four Rooms, followed by "Starring Tim Roth as the Bellboy." Then "The Guests" listed in alphabetical order of all the actors playing guests. After the actors names, we...
FADE UP ON A WALL
The camera pans
THE INSIDER
written by
ERIC ROTH & MICHAEL MANN
11/5/99
FADE IN:
All we can see is black filling the screen... Black on
black...
INT. A JEEP, LEBANON - DAY
And were in a speeding SOVIET JEEP... Two men in front,
shouldering assault rifles. HEZBOLLAH SOLDIERS... And there
are three MEN in the back. A middle-aged Man wearing a tired
suit and tinted sunglasses trying to hold on. And on either
side o
The following is Matt Damon and Ben Afflecks Award Winning Script for Good Will Hunting. It is what Matt Damon and Ben Affleck originally wrote on paper before the movie was made.
FADE IN:
EXT. SOUTH BOSTON ST. PATRICKS DAY PARADE -- DAY
CUT TO:
INT. L STREET BAR & GRILLE, SOUTH BOSTON -- EVENING
The bar is dirty, more than a little run down. If there is
ever a cook on duty, hes not here now. As
The Unforgiven
Original Screenplay
by
David Webb Peoples
PRODUCTION DRAFT
April 23, 1984
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not w
A SILHOUETTED MAN in front of mirror dons his Marine dress blues. Spit polish shoes laced. Medals clipped to jacket. All in CLOSEUP. We never see him fully.
The Man puts HIS HAT squarely on his head. EYES glint.
On the mans dresser: MARINE MEMORABILIA. Three Purple Hearts, photos of a WOMAN (his wife), PHOTOS OF MARINES in combat locales.
TIGHTER INTO THE PHOTOS
We HEAR PANICKED VOICES, EXPLOSION
It is very early in the dawn -blue light filters through the jungle and across a foul swamp. A mist clings to the trees. This could be the jungle of a million years ago.
Our VIEW MOVES CLOSER, through the mist, TILTING DOWN to the tepid water. A small bubble rises to the surface; then another. Suddenly, but quietly, a form begins to emerge; a helmet. Water and mud pour off revealing a set of bead