Odessa File Script
Hannah, would you mind?
What I am going to tell you is,
of course, top secret.
The Egyptians have rockets
based at Helwan.
The targets are Acre, Haifa, Tel Aviv-Jaffa.
That would be the first strike.
The second strike would straddle
the whole country.
The rockets will have special warheads.
They will contain bubonic plague
and strontium .
If it succeeds, it will be the end of I
A blurred image forms on a white screen. A horizontal strip of face, eyes motionless and unblinking.
DAVID (V.O.)
Take trust, for instance, or friendship: these are the important things in life, the things that matter, that help you on your way. If you cant trust your friends, well, what then?
EXT. DAWN
A series of fast-cut static scenes of empty streets.
DAVID (V.O.)
This could have been any
We hear voices: one male, the other female. From the tone of their speech and the accompanying music, we can tell we are entering a romantic scene.
FADE IN:
INT. FANCY NEW YORK APARTMENT - DINING ROOM - NIGHT
Where we see a romantic scene played out between a man and a woman. Both are white. The couple have just finished a candlelit dinner.
BRAD
You like your wine? Want smore?
She nods her approv
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
Pink Floyds "Dark Side of the Moon (Brain Damage)" plays as WHITE TITLES appear over black. As the song crescendos at the first chorus, SUNLIGHT flares over the lunar horizon and a crescent sliver of THE MOON is illuminated- huge, filling the screen f rom top to bottom. Were in space, circling around from the dark side until a HUGE FULL MOON fills the screen with whiteness- TITLES continue as we
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
Grainy but unmistakably a man and woman making love. Photograph shakes. SOUND of a man MOANING in anguish. The photograph is dropped, REVEALING ANOTHER, MORE compromising one. Then another, and another. More moans.
CURLYS VOICE
(crying out)
Oh, no.
INT. GITTES OFFICE
CURLY drops the photos on Gittes desk. Curly towers over GITTES and sweats heavily through his workmans clothes, his breathing prog
As they travel, various objects (pens, tapes, CDs, toiletries, ties, sunglasses, etc.) either fall or are discarded from inside their jackets.
They are pursued by two hard-looking Store Detectives in identical uniforms. The men are fast, but Renton and Spud maintain their lead.
RENTON (V.O.)
Choose life. Choose a job. Choose a career. Choose a family, Choose a fucking big television, Choose washi
Bart Hircus는 노인 주택단지와 레크리에이션 센터에서 노인들을 위한 운동 수업을 운영한다. 몇 년 전, 한 아메리카 원주민 노인센터가 운동 강좌를 열고 그를 초대하였다. 그들은 그에게 방 하나를 주고 미리 강좌를 예고하였다. 그는 새로운 그룹의 사람들과 일하려는 열의를 가지고 센터로 왔다.
이 강
저는 이 과목을 통해서 교수님 수업을 3학년이 된 지금에서 처음 듣게 되었습니다.
미국문학개관을 처음 신청 하게 된 이유가 사실 전공 필수 과목이었기 때문이었는데 지금 생각 해 보면 왜 필수로 이 과목을 배워야 하는지에 대해서 조금은 알 것 같습니다. 영문학과를 다닌 다고 말을 하고 다니기엔