steel grating across the opening. The
bars disappear down into the thin ice of early winter.
With the house visible BG, we CRANE DOWN below the parapet wall
along which a guard is a white exposure-suit is walking... down
along the dark wall to the grating... TILTING DOWN to see a
glow pulsing under the ice.
3 EXT. BENEATH THE ICE, UNDERWATER - NIGHT
Camera moving toward: A FIGURE in diving gear
columns.Stained glass. But it is a dying house.
Rotted wood. Peeling paint. You can almost hear it wheeze...
ANGLE - THE GADEN BEYOND THE PORCH
Thick. Lush. Huge flowers flourish. A flagstone walk leads to a swimming pool filled with
brackish water and lily pads. A wrought-iron fence encircles the grounds. on the other side,
the street seems like another world.
BACK TO CARLOTTA AND DIEDRE ON THE
column of sound emerges.
Thea von Harbous message,
Lang didnt believe in it.
He said: "I am fascinated by machines."
Metropolis, the mother city,
city of mothers, mother of all cities.
The city, the film...
they too are machines.
Flywheels,
a crankshaft,
an eccentric disk,
A machine without Workers,
devoid of function,
pure movement...
rotating, thrusting...
a machine of desire. Round shapes
and
steel GARBAGE DUMPSTER.
DRIVING it like a football training sled into the ALLEY
where--
THE SEDAN LOCKS EM UP seconds too late as it SKIDS and
SLAMS into it, CRUNCHING into the brick wall and--
Still alive -- GRINDS into reverse back down the alley,
HEADLIGHTS SMASHED, it guns it backward as--
UTAH leaps over the dumpster and sprints after the car.
He has a brick in his right hand. He cocks it ba
filled with dread as he falls to his knees,
staring, always staring at THE CRATES...
EXT. DOCKS - NIGHT
The crew tends to business and the Santa Lucia points out of the
harbor, disappears into the night.
DISSOLVE TO:
EXT. LOUISIANNA COAST - DAY... TITLE CARD... JUNE
Squad cars roar down the back roads, sirens flashing. In the center of
the column is an unmarked car.
INT. UNMARKED CAR - DAY
A
Mr. Blandings Builds His Dream House Script
Manhattan.
New York.
U.S.A.
In any discussion of
contemporary America...
... and how its people live, we must
inevitably start with Manhattan.
New York City, U.S.A.
Manhattan, glistening modern giant
of concrete and steel...
... reaching to the heavens
and cradling in its arms millions.
Seven millions.
Happy beneficiaries of the advantages and
comforts
column of children being led through a gate of barbed
wire so dense, it resembles wool.
The gate closes and the boy looks back to see his parents
- along with many others - being restrained by a number
of soldiers. The screaming is deafening.
And the boys can be heard above it all. The soldiers
seem to be having a hard time carrying such a frail
child. The farther they get from the fence, the hea
Column and the First Forty-Nine Stories (1938). Hemingway died in Idaho in 1961.
Summary(촻썐쟕)
쮢쫛첂 쟪 챦
쮢쫛첂 쟪 쮅=In a small fishing village in Cuba, Santiago, an old, weathered fisherman has just gone 84 days without catching a fish. On the 85th day, he is determined to catch a big and impressive fish. For years, Santiago has been fishing with a young boy named Manolin. M
columns of water, like fire-hoses of the gods,
blast into the room. Everything vanishes instantly in white spray.
INT. CONTROL RM/ATTACK CENTER 9
Everyone is hurled off his feet. The planesman flights to recover control of
the yoke.
CAPTAIN
Collision alarm! Collision alarm! Lighten
her up, Charlie!
NAVIGATOR
The torpedo room is flooded, sir!
CAPTAIN
Blow all tanks! Blow everything!
HELMSMAN
Passi
steel. A vast maze of tunnels.
A GROUP OF FIGURES advances through the tunnels with handheld
UV lamps.
The figures are dressed in gray air-tight NEOPRENE SUITS,
their faces hidden by skin tight MASKS and bug-like NIGHT
VISION GOGGLES. In the dense silence, respirator valves HISS-
CLICK at the corner of their lips in mechanical rhythm.
The scene has a dream-like, choreographed quality.
NIGHT-VISIO