fiction, created by the Party.
The real rulers of the State...
are unknown, faceless manipulators...
who, because they are not known...
are able to wield power without let or hindrance.
People of Oceania, you are being duped.
The Party doesnt serve the people, it serves itself.
We are not at war with Eurasia.
Death! Death! Traitor!
You are being made into obedient...
stupid slaves of the Party.
O
I am not.
I had started writing down
everything that crossed my mind.
My family had become characters
in a fiction.
And I spoke of them
as if they were strangers.
As far back as I remember,
it was the smells and the light
that solidified
my first memories.
My grandmother had convinced
my father
a shit a day
kept the doctor away.
Dont cry, my darling.
Do like mama.
Push, Leo.
Push, my love.
Love And a .45 Script
announcer:...any similarities
to real people or events
is purely coincidental.
The Crime Channel.
All crime all the time.
Excuse me, son.
Where do you keep the anti-acids?
That aisle, right-hand side.
Third shelf from the bottom.
Thatll be $ . .
Arent you a little young
to be working the night shift...
...hombre?
I lied about my age.
How old are you, son?
Fourteen.
Shouldnt
Sense and Sensibility
Jane Austen - (16 December 1775 – 18 July 1817)
Romantic fiction
Landed gentry
Realism – biting irony & social commentary
Constant support from family
Epistolary novel
18th century ~ 19th century
Dependence of women on marriage to secure social standing & economic security
Austen’s works - Sense and Sensibility
1. Sense and Sensib
Toni Morrison
African American Literature
Born in Feb 18, 1931, Ohio.
From Working-class family
Contacts numerous black community folktales through her father
Pulitzer Prize for Fiction(1988) for Beloved
Nobel Prize of Literature(1993)
Home
Written in 2012
Right after Korean War, U.S.A.
Modern Odysseus : story of a man who goes back to his hometown after the war
Stream of Consci
DARK STAR
A SCIENCE FICTION ADVENTURE
A Screenplay
by
John Carpenter and Dan OBannon
OPEN ON BLACK SILENCE.
The sound of electronic music rises, hollow, metallic.
FADE IN on a long TRACKING SHOT through the universe.
As the NARRATOR speaks we move through galaxies, nebulae,
solar systems, moving from the infinite slowly down to
a particular planetary system deep within a maze of
suns.
NARRATOR
(o
realities
of the world in which we live.
We are currently wealthy, fat,
comfortable, and complacent.
We have a built-in allergy to
unpleasant or disturbing information.
Our mass media reflect this.
But unless we get up off
our fat surpluses...
...and recognize
that television in the main...
...is being used to distract, delude,
amuse, and insulate us...
...then television
and those who finance it
Ⅰ. 서론
원래 ‘사이버’란 사이버네틱스라는 용어의 줄임말로서 새로운 정보통신기술의 보편적 이용이 사회전반에 미치는 다양한 영향을 가리키기 위해 접두어처럼 사용되어 왔었다. 그러나 90년대 중반 이후에는 가상현실(virtual reality) 산업이 현실화되면서 사이버라는 용어는 ‘가상’(virtual)이
fiction(허구)이라고 하였다. 그리고 시가 바로 최상의 허구, supreme fiction이다. 스티븐스는 신이 사라져버린 궁핍한 세계에서 인간은 “빈곤의 토착인, 불운의 자녀들”(CP, 322)이라고 표현하며, 이때부터 인간에게는 자의식이라는 것이 생겨나게 된다고 주장했다. 따라서 인간은 신의 도움 없이 우리를 지