"THE BASE"
??
EXT. BORDER CHECKPOINT -- DAY
Cars filled with tourists move slowly through the checkpoint
into Mexico. On the American side: clean uncrowded streets.
??
EXT. TIAJUNA, MEXICO -- DAY
But just across the border: crowds, garbage everywhere,
buildings crammed together on pot holed streets. It seems
darker, more dangerous. Everything has a touch of evil.
??
EXT. STRIP CLUB -- DAY
A honky
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
vehicle
with Sergeant Shaw
and our guide, a civilian contractor.
The night is clear.
Stars, but no moon.
Ambush!
Hang on.
Exit the vehicle.
On me! On me!
Get a flare up, sergeant.
Enemy dismount! Go after, go after!
Stay left!
Covering, covering, covering!
Bear right!
Move it, move it, move it!
Captain Marco!
Sir?
Was you scared?
Scared? Well...
...there was really no time
to be scared.
With comp
Starting with the brief overview, we’ll discuss the industry since 1940. Of course there was a concept ‘logistics’, however it wasn’t enough to call it a industry.
So, around 1940, the military logistics during the world wars. This is when logistics gained huge importance all over the world.
and in the middle of the 1950s and 1960s, the sea container was invented. It had a huge impact o
vehicle is decorated like a GIANT POODLE, with four legs hanging off the sides, a tail in the
rear, and a dogs snout on the front grill. MUTT CUTS is written on the side of it.
HARRY DUNNE climbs out. Hes in his early 30s and dressed in a ridiculous BEAGLE
COSTUME, including a CAP WITH FLOPPY EARS. He goes to the rear of the van, opens it,
and a swarm of DOGS pile out.
HARRY
Okay, gang, single fi
get used to this...
and grow to love it.
Bosun, you can assemble the tractor.
Better check the command mike.
- The command mike, sir.
- Oh, good idea.
- Chief?
- Sir?
Youre in command now, Quinn.
You keep right at those instruments.
- Aye, aye, sir.
- Hey, whats this dust coming?
Looks like were being met.
Bosun.
Hold the tractor.
- Quite a vehicle, huh?
- That driver must be a madman.
What dri
scans the road, wary but sensing no danger. He puts
on his blinker to take the 405 South exit.
EXT. SANTA MONICA FREEWAY - DAY
The van follows, now directly behind the Mercedes, in a
procession of vehicles going up the long, curved overpass
arcing 100 feet above the 10, toward the 405.
INT. JAVALS VAN - (MOVING SHOT) - DAY
As they approach the crest of the overpass, Javal flips a
switch on
Escape From L.A.
Screenplay by John Carpenter
Debra Hill
Kurt Russell
Produced by Debra Hill
Kurt Russell
Directed by John Carpenter
Cast List:
Kurt Russell Snake Plissken
Stacy Keach Malloy
Steve Buscemi Map to the Stars Eddie
Peter Fonda Pipeline
George Corraface Cuervo Jones
Valeria Golino Taslima
Pam Grier Hershe
Michael Forbes Brazen
Cliff Robertson President
A.J. Langer Utopia
Bruce Campbe
모
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ROMAN HOLIDAY
(A newsreel begins:)
--PARAMOUNT NEWS--
NEWS FLASH
(A commentator describes the newsreel showing Princess Ann at several ceremonies in various European locations.)
NEWSREEL
Paramount News brings you a special coverage of Princess Anns visit to London, the first stop on her much publicised goodwill
vehicle
to make sure no one has
Sellotaped themselves to the ceiling
or hidden underneath,
disguised as a wheel.
Freddie and Jeff Stinger here,
famous bank robbers,
being taken to Alcatraz
at the end of their life.
Alcatraz. ln the sun, its almost
pretty. lts got a lighthouse.
And a big thing at the back
that looks like a monster.
But no, its Alcatraz.
Once an island paradise,
now a penitentiary.