애착 이론
1. 도입
애착이론에 대한 볼비의 정의
특정한 어떤 사람에게 강한 애착을 느끼는 인간의 경향성을 개념화하고, 애착 대상과의 원치 않는 분리 혹은 애착대상의 상실이 발생했을 때 수반되는 불안, 분노, 우울, 정서적 초연(emotional detachment)과 같은 다양한 정서적 고통과 성격장애를 설명하는
On a distant, rainy hill, the old Frankenstein castle, as we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING.
MUSIC: AN EERIE TRANSYLVANIAN LULLABY begins to PLAY in the background.
ANOTHER ANGLE
As we MOVE SLOWLY CLOSER to the castle. It is completely dark, except for one room - a study in the corner of the castle - which is only lit by candles.
Now we are just outside a rain-spla
U-Turn
(Stray Dogs)
Screenplay by
John Ridley
and
Richard Rutowski & Oliver Stone
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. SOMEWHERE IN THE DESERT SOUTHWEST - DAY
BEGIN TITLES OVER:
It is early morning and already hot. INSECTS drone, crackle,
and scurry for shade. PRAIRIE DOGS burrow to escape the sun.
We
FIGHT CLUB
by
Jim Uhls
based on a novel by
Chuck Palahnuik
2/16/98
SCREEN BLACK
JACK (V.O.)
People were always asking me, did I
know Tyler Durden.
FADE IN:
INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE -- NIGHT
TYLER has one arm around Jacks shoulder; the other hand
holds a HANDGUN with the barrel lodged in JACKS MOUTH.
Tyler is sitting in Jacks lap.
They are both sweating and disheveled, both around
Much Ado About Nothing Script
"Sigh no more, ladies
"sigh no more
"Men were deceivers ever
"One foot in sea
"and one on shore
"To one thing constant never
"Then sigh not so
"but let them go
"And be you blithe
"and bonny
"Converting all
"your sounds of woe
"Into Hey
"nonny, nonny!
"Sing no more ditties"
More, more, more!
"Sing no more
"Of dumps
"so dull and heavy
"The fraud of men
"was ever so
"Si
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
In The Bedroom Script
I love it here.
I know you do.
I can feel my life, you know?
... pitch to Aderberg, and fall over
the outside corner of the field.
He was expecting a home run.
Pryor didnt say anything.
-Morning, Dr. Fowler.
-Morning, Natalie.
-How you doing, boys?
-Great!
Hey, Duncan,
sure you dont wanna go?
-You wanna get in here?
-No, he wants to stay here.
Scootch up,
get in the middle t
Gattaca
A Screen Play
by Andrew M. Niccol
FADE IN
A white title appears on a black screen.
"As night-fall does not come at once, neither
does oppression...It is in such twilight that
we all must be aware of change in the air
- however slight - lest we become victims of
the darkness."
Justice William O. Douglas
The title fades off, replaced by a second title.
"I not only think that we will tamper
The dense, lush rain forests of the eastern slopes of the Andes, the place known as "The Eyebrow of the Jungle". Ragged, jutting canyon walls are half-hidden by the thick mists.
The MAIN TITLE is followed by this:
"PERU"
A narrow trail across the green face of the canyon. A group of men make their way along it. At the head of the party is an American, INDIANA JONES. He wears a short leather jacke
SPHERE
BY
PAUL ATTANASIO
Based on the novel by
Michael Crichton
BARRY LEVINSON VERSION SHOOTING SCRIPT
FADE IN:
EXT. OCEAN FLOOR - DAY
BEGIN TITLES.
MOVING AMONG the hallucinatory variety of creatures --
barbaric, distorted, sublime -- that haunt the ocean floor.
All but unknown to man except in the deep preconscious brain
that houses the family album of the race... Where we remember
that they ar