All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"
The World Is Not Enough
GUN BARREL LOGO OPENS ON
GENEVA SWITZERLAND, an unnaturally clean city that melds old
Europe with new money of both dubious and legitimate source.
INT. HALLWAY OFFICE BUILDING - DAY
An engraved brass plaque announcing the name of the 몷private
banking institute몸 within.
INT. PENTHOUSE BANK OFFICE - GENEVA - DAY
JAMES BOND, dressed impeccably as ever, is being FRISKED by
Muses still repeat their ahs and yeahs, camera moves up the mountain slope,while it does, the movie title, HERCULES, is shown. Then camera goes inside,
passes various chattering gods and finds baby Hercules}
Hera: Hercules! Behave yourself
[Zeus come in to play with baby too]
Zeus: Oh, look at this, look how cute he is..
[Zeus babbles at baby Hercules and he catches Zeus by index finger and lifts
Under gloomy sky a huge fortress looms on a volcanic mountainside. From within WE HEAR the agonizing scream of a woman giving birth.
INT. NOCKMAAR CASTLE - DAY
The scream continues as WE MOVE THROUGH the grim corridors of the castle TOWARD stairs leading down to a dungeon.
INT. DUNGEON - DAY
Silhouetted in sadows, three Nockmaar MINIONS stand guard. In a jail cell, sex fully pregnant WOMEN watch
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
The Number 23 Script
A week ago,
the only thing I thought was
Out of the ordinary was
that it was my birthday.
Sorry.
Im just bored.
Oh.
Unit 5, come in.
Unit 5, come in.
Do you read me, unit 5?
Of course, things
didnt really start here.
Ill have a blue...
How do I look?
- The truth?
- I look like a rock star, dont I?
- You look great.
- Hey, whats going on with you?
- What?
- Why are you acting
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
Miracle on 34th Street (1994) Script
- Ask him.
- Shh.
- Ask him.
- Shh!
Look at him, grandpa.
Ask him!
Ryan, thats enough.
Uh, Im sorry.
He, uh...he thinks youre Santa Claus.
I am.
Merry christmas.
Uh, merry--Merry christmas.
Nuts.
I should have got his autograph.
Dashing through the snow
In a one-horse open sleigh
Oer the fields we go
Laughing all the way
Bells on bobtail ring
Making spirits br
SUPERMAN LIVES
??
Written by
Kevin Smith
??
??
EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO