Alien Trespass Script
- At Cape Canaveral,
another probe into space.
Target: the Moon.
A 52-ton multistage rocket
combining elements of
the Thor ICBM and the Vanguard
is ready for firing.
On the planned course,
the 83-pound Pioneer space probe
would closely approach
the Moon
and would be swung into orbit
by the Moons own gravity.
- Two...
One...
Zero.
- The vehicle roars aloft
at too steep an ang
My Fair Lady Script
Freddy, go and find a cab.
Do you want me to catch pneumonia?
Dont just stand there, Freddy.
Go and find a cab.
All right, Ill get one.
Look where youre goin, dear.
Look where youre goin!
Im so sorry.
Two bunches o violets trod in the mud.
A full days wages.
-Freddy, go and find a cab.
-Yes, Mother.
Hes your son, is he?
If youd done your duty
as a mother should...
...you would
SERIAL MOM
by
John Waters
Second Draft: July 22, 1992
1. Film opens with prologue title: "This is a true
story. The screenplay is based on court testimony,
sworn declarations, and hundreds of interviews
conducted by the film-makers". Fade out.
Fade in to second prologue title: "Some of the
innocent characters names have been changed in the
interests of a larger truth". Fade out.
Fade in to final
A few patients sit around fumbling with themselves. One man sits at a table scratching back and forth on a piece of paper with a crayon. Another stands in a corner smoking a cigarette and staring at the crayon guy. This is CHARLES. Another man, KARL, sits in a chair staring at the floor and rubbing his hands together. We cut back and forth between Charles staring and Crayon Man scratching. After
dead and out the way and all, eh?
Oh, bloody hell. Heres me imaginin all sorts of slap and tickle,
and all you can dream about is bloody Duane.
LV, we out of bacon?
Recent bacon, I mean.
Oh, come on, phone. Ring.
Here, make me a cup of tea, LV, love.
Come on. Look after me.
Hey, give us that paper, here.
Oh, take it back. I dont like the front.
Oh, shove something on, something for me, LV, love.
The Nutty Professor Script
- * Hey, hey Hey-hey-hey * - Lets sweat!
- * Macho, macho man * - * Macho man *
- Come on! - * Ive got to be *
- Thats right! Shake it, honey! - * A macho man *
* Macho, macho man *
- Oh, yeah! Like a pony! Im a pony! - * Ive got to be a macho *
Dont you feeI Iike a pony when you sweat?
- Oh, yeah! Yeah! Go! - * Ive got to be *
- Go! Do it! Come on! - * A macho man *
*
Joe Dirt Script
Turn it up.
Dang.
Thats what Im talking about. L.A.!
Radio station l.D.
Coming to work. Joe Dirt.
Dont try and church it up, son.
Dont you mean Joe Dirt?
Naming you that, your daddy
must have really hated you.
Youre wrong, brother.
I got a good name
for this car: Rusty.
-Shitll buff out.
-Dont bother.
Drive this piece of crap off a cliff.
Do us all a favor.
This look like a piece
Lackawanna Blues Script
Hmm?
Im on my way.
Come on, Nanny.
Come on, Mama, please.
Come on, Nanny.
Please, Nanny, come on.
Come on, Nanny.
Please, Nanny. Come on now.
Mama, please!
Mama, please, come on.
Come on.
Come on! Come on!
Come on.
Come on, Nanny.
Come on, Nanny.
Thats right, Nanny. Come on.
Come on, Nanny.
Come on.
Please, Mama.
Please, Mama. Come on!
Come on.
Come on! Come on!
Hey!
You w
The Karate Kid Script
Dont forget to tell Uncle Louie I left
the red wine and Parmesan in the fridge.
I love you. Bye-bye.
- Bye, Judy.
- Send me a picture.
Ill be back soon. Dont worry about it.
- Be careful, now.
- Bye.
- Take it easy, now.
- Bye.
"California, here we come"
Whats wrong? Dont you like my singing?
I dont like the song.
Youre going to love California.
You get up in the morning...
Freddie. Going to the opera?
Mr. Smalley, you want to sit in on a hand?
I dont gamble with no professionals.
-Ill take your place, Robbie.
-If Smalleys not in, Im staying on.
Whats this shit? lf you dont want
to play, whats the matter....
One dry, please.
The church is coming along nicely, isnt it?
I was talking with Mr. Anderson.
I cant wait till we get it finished.
-Hey, whos the dealer?
-A fel