철근의 가공이음정착조립피복두께
Ⅰ. 개 요
① 콘크리트는 압축에는 강하나 인장에는 약하므로 이 점을 보완하기 위하여 콘크리 트와 선팽창계수가 비슷한 철근으로 하여금인장력을 부담토록 한 것이다.
② 철근콘크리트에서 응력 전달을 충분히 하기 위하여 철근의 이음, 정착 및 피복두 께 등의 확
*리벳의 뜻
리벳 : 철판 또는 형강 등을 영구적으로 접합하는 데 사용하는 체결요소
리벳 재료 : 연강, 동, 황동, 알루미늄, 두랄미늄 등
1. 리벳의 특징(용접이음과 비교)
가. 초응력에 의한 잔류 변형율이 생기지 않으므로 취약파괴가 일어나지 않는다.
나.구조물 등에서 현지 조립할 때는 용접이
Monkeybone Script
[ Squeaks ]
[Cartoon Music]
[ Cackling ]
Back, Stanley.
Youaregoingback--
back to whenitallbegan.
Areyou backyet?
Get back!
We havent got all day!
[Stanley]It was thirdgrade.
The teacher was Miss Hudlapp.
She waskindasquatandlumpy.
Shesmelledfunny.
- Butshe waskind.
- Class!
How many times have I told you?
In this class...
we do not pound ten-penny nails
into Stanleys head!
[Sta
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Alright so this is the world and there are five billion people on it. When I was a kid there were three. Its hard to keep up.
AMERICA FROM SPACE
The great continent through mist and swirling skies. (Satellites and other pieces of skycasting equipment float by.)
JERRYS VOICE
Thats better. Thats america. See, America still sets the tone for the world...
KID ON BASKETBALL COURT
A puberty-ravaged kid
As the C-130 coasts to a stop, the hatch rotating down on a hot, dusty lifeless airstrip somewhere in Vietnam. Nothing seems to live or move in the midday sun.
TITLES RUN
A DOZEN NEW RECRUITS step off the plane, unloading their duffel bags, looking around like only the new can look around, their hair regulation-clipped, crisp, new green fatigues fitting them like cardboard.
CHRIS TAYLOR is just a
We are moving through a small airfield full of parked light planes. There are no people around. We move through the cluster of planes towards a hangar on the edge of the field.
INT. HANGAR - DAY
We are still moving through light planes, but now we are inside the hangar. Some of the planes have their engine covers open, parts strewn around. Others are partially covered with tarps or have sections
Pitch black. Dead quiet. Dim faint light appears in the distance, approaching, growing larger. As the light nears, we recognize car headlights. Closer and closer until the car is bearing down upon us with great force. . .
2 INT. CAR 2
Two men in the front seat, FISHER and MOORE. Fisher drives. All seems quite normal until we take a closer look, sweat matts hair, dirt stains on white tuxedo shirts
"HUNTER"
Written by
Jim Thomas and John Thomas
"HUNTER"
FADE IN
1 EXT. OUTER SPACE 1
The infinite blackness punctuated by a billion stars.
As we slowly DESCEND through the varied shades of blue
of the Earths atmosphere, we HEAR the first strains of
a haunting, Central American FLUTE, joined by a swelling
background of JUNGLE SOUNDS. We descend further,
through a lush JUNGLE CANOPY, backlit by a s
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e