오스트레일리아의 대륙에 처음으로 발을 디딘 사람은 Warramurrungunji라는 여성이다. 그냐는 바다로부터 북오스트레일리아 섬에 나타났고, 내륙으로 향하였으며, 그 과정에서 아이들을 낳고, 각 아이들을 특정 공간에 두었다. 그녀가 들판을 가로질러 이동하며, Warramurrungunji는 각 아이들에게 “나는 너희
FIGHT CLUB
by
Jim Uhls
based on a novel by
Chuck Palahnuik
2/16/98
SCREEN BLACK
JACK (V.O.)
People were always asking me, did I
know Tyler Durden.
FADE IN:
INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE -- NIGHT
TYLER has one arm around Jacks shoulder; the other hand
holds a HANDGUN with the barrel lodged in JACKS MOUTH.
Tyler is sitting in Jacks lap.
They are both sweating and disheveled, both around
directly in front about ten feet away, an enormous AMERICAN clad in rags and bushes and holding a 12 gauge automatic shotgun casually at his side, steps in front of them. He smiles laconically, and BLASTS OUT FIVE SHOTS that rip THROUGH US. By the second shot, the whole jungle blazes out with AUTOMATIC FIRE.
Out VIEW TURNS as the men around us are thrown and torn, screaming and scattering into th
A silver throwing-bird is chosen from a weapons array. Gloved hands lift a black eye mask. Tunic armor CLICKS shut, turning to reveal the chest-borne insignia of a Robin.
INT. BATCAVE
BATMAN - CLOSE
Emerges from his costume vault.
WIDER
Deeper excavation has doubled the size of the cavern.
New state-of-the-art computing systems flash. Surveillance screens monitor news and police FREQUENCIES. Crim
SPHERE
BY
PAUL ATTANASIO
Based on the novel by
Michael Crichton
BARRY LEVINSON VERSION SHOOTING SCRIPT
FADE IN:
EXT. OCEAN FLOOR - DAY
BEGIN TITLES.
MOVING AMONG the hallucinatory variety of creatures --
barbaric, distorted, sublime -- that haunt the ocean floor.
All but unknown to man except in the deep preconscious brain
that houses the family album of the race... Where we remember
that they ar
Tomorrow Never Dies
Screenplay
by
Bruce Feirstein
(for educational purposes only)
FADE IN ON:
EXT. DESOLATE MOUNTAIN RANGE - HIGH ANGLE - DAWN
Super: THE KHYBER PASS, AFGHANISTAN
Were looking down at what used to be called "The End of the Known
World." A landscape that is both beautiful, and forbidding.
In the center of this vista, there is a deep ravine.
Pushing in on the ravine, there appears t
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
A Texas Ranger patrol car pulls into the parking lot and a real live Texas Ranger, EARL MCGRAW, steps out. McGraw is in full ranger uniform - button shirt, cowboy hat, boots, mirrored shades, tin star and a colt revolver on his hip.
Its about an hour and a half before sundown and McGraw is off duty for the day.
The only other car in the parking lot is a 1975 Plymouth
(Charley Varricks car).
INT.