Much Ado About Nothing Script
"Sigh no more, ladies
"sigh no more
"Men were deceivers ever
"One foot in sea
"and one on shore
"To one thing constant never
"Then sigh not so
"but let them go
"And be you blithe
"and bonny
"Converting all
"your sounds of woe
"Into Hey
"nonny, nonny!
"Sing no more ditties"
More, more, more!
"Sing no more
"Of dumps
"so dull and heavy
"The fraud of men
"was ever so
"Si
THE SAME SCENE; THE SAME SHOTS. Suddenly time RUSHES FORWARD. Als voice squeaks, the action accellerates.
LEADER (VO)
Run past this stuff.
THE VISUALS SPEED EVEN FASTER. SOMEBODY is running the tapes of
the EXPERIMENT right before the attack...FAST FORWARD.
INTRUDER
You wont believe this.
INT. LAB - The INTRUDERS SLOW the tape and watch with interest.
CU.- THE BEAKER on the pedestal surrounded by
WHITE SQUALL
by
Todd Robinson
FADE IN:
SUPER: A TRUE STORY - MYSTIC HARBOR CONNECTICUT 1994
CREDITS OVER
Wind on the water. Soaring gulls and sand pipers glide
over the pilings and sagging bulkheads.
OLDER CHUCK (V.O.)
Though I hadnt seen or spoken to
Sheldrake in over thirty years, it
seemed impossible that his heart was
the thing that had finally failed
him...
??
INT. LATE MODEL CAR - SAME
CHUC
KING KONG
Screenplay by
FRAN WALSH & PETER JACKSON
From an idea conceived by
EDGAR WALLACE & MERIAN C. COOPER
1st Draft
1996
EXT. SKIES OVER FRANCE 1917 - DAY
CAMERA drifts towards a large puffy cloud floating 6000ft above the
French countryside ...
... a roar of engines - sounding like angry buzzing bees - and three ...
six ... NINE SOPWITH CAMEL FIGHTER PLANES emerge from the cloud, flying
in t
Jawbreaker Script
First, you need to know
something about them.
The beautiful ones.
The flawless four.
Everyone wanted to be them.
You know them.
They went to your school too.
They totally ruled.
The one in green, thats Courtney.
She was the leader.
She was like Satan in heels.
The blonde, Marcie Fox,
a legend in her own little mind.
Known to herself as Foxy.
The one with the pigtails is Julie,
p
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
After The Sunset Script
You screwed up!
Here we go, here we go!
Yeah! All right!
Whoo!
Got him.
Target is in sight.
Clock him close.
Hes not going anywhere.
Im hand-carrying this thing
right into the museum.
Stan, youve got more cover on you
than the president.
The diamond is safe.
This is an armed caravan,
completely bulletproof, magnetic locks.
- This transfer is under control.
- Im hot.
FBI Tr
Music From Another Room Script
What do you say
we get ourselves some turkey, partner?
Theyre here!
Now remember,
I want you kids to be especially nice to Danny.
- Why should we?
- Because I say so, thats why.
- Dont touch that pie.
- Im hungry!
Hungry? You dont know what hunger is.
You want to know about hunger,
talk to the Russians.
- Theyll tell you about hunger.
- Grace has Russia on the brain
SOMEONE TO WATCH OVER ME
??
by
Howard Franklin
Danilo Bach
David Seltzer
??
??
Revisions by Danilo Bach
FADE IN:
INT. MIKES HOUSE - QUEENS - EARLY EVENING
Winter. A celebration. Close friends, cop friends,
family all here to celebrate patrolman MIKE KEEGANS
promotion to detective, NYPD.
The party spills through the house -- front room, dining
room, kitchen, with a small fenced backyard visible be
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ