A silver throwing-bird is chosen from a weapons array. Gloved hands lift a black eye mask. Tunic armor CLICKS shut, turning to reveal the chest-borne insignia of a Robin.
INT. BATCAVE
BATMAN - CLOSE
Emerges from his costume vault.
WIDER
Deeper excavation has doubled the size of the cavern.
New state-of-the-art computing systems flash. Surveillance screens monitor news and police FREQUENCIES. Crim
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency:
ASH
Why would you say that I am insane? I wouldnt say that Ive lost my mind simply because Ive heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a t
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
"Out of Sight"
Screenplay by
Scott Frank
from the novel by
Elmore Leonard
White Final: 08/05/97
Blue Revised: 09/17/97
Pink Revised: 11/11/97
Green Revised: 12/15/97
Goldenrod Revised: 12/16/97
Buff Revised: 03/17/98
Salmon Revised: 03/23/98
BLACK
We hear TRAFFIC, some STREET NOISES, then...
FADE IN: A MIAMI STREET - DAY
The financial district. Lots of people in suits. A shaky,
spasmodic ZOOM IN
Into The Blue Script
-Stay on the beacon!
-Manolo, we lost the beacon.
My God! My God!
-Whats our heading?
-l dont know.
We lost all navigation.
-Pull the nose up!
-l cant!
Come on, pool is closed, everyone.
Out of the water.
Stow that gear and get out of here.
Get these divers out of the water.
Lets go, lets go. Come on, back here.
-Taking too long.
-Watch your step. Here you go.
-Assholes and e
DAVID HELFGOTT wakes with a start in an indistinct place somewhere in the world. Late thirties, eyelids at half-mast, he stares into the wet night, mesmerized by a flashing red light.
David
(mumbling)
Kissed them all, I kissed them all, always kissed cats, puss-cats, kissed them, always did; if a cat let me kiss it, I kiss it - Cat on a fence Il kiss it - always, always, I will - didn I? I did be
Sleepy Hollow
Being the true storie of one Ichabod Crane
and the Headless Horseman
Kevin Yagher and Andrew Kevin Walker
Based on "The Legend of Sleepy Hollow" by Washington Irving
Screenplay by Andrew Kevin Walker
A pleasing land of drowsy head it was,
of dreams that wave before the half shut eye...
EXT. GNARLED FOREST -- NIGHT
An UGLY MAN charges through on a horse, holding a lantern
forward on
HIGHLANDER
??
Screenplay by
Gregory Widen
and
Peter Bellwood & Larry Ferguson
February 6, 1985
??
??
FADE IN:
MADISON SQUARE GARDEN
New York Rangers v. Edmonton Oilers.
15,000 screaming fans leap to their feet.
Gretsky steals the puck, streaks across the ice, beats two
defenders, shoots and scores.
Oilers 6, Rangers 0. Oiler fans bellow approval
One silent SPECTATOR, in overcoat, slacks and scarf
Jabberwocky Script
Twas brillig, and the slithy toves
Did gyre and gimble in the wabe
All mimsy were the borogoves
And the mome raths outgrabe
It is the middle of the Dark Ages.
Ages darker than anyone had ever expected.
An horrendous monster casts a dreadful pall of fear...
...over a once happy land.
As towns and villages are torn apart...
...the helpless survivors seek refuge...
...behind the w