고딕소설과 초현실주의의 공통점은 꿈이나 광기의 세계에서 나타난 무의식의 영역에의 탐구에 있다. 오늘날의 스릴러, 괴기소설 및 유령담도 말하자면 고딕소설의 변용이라 할 수 있는데, 이 고딕소설은 미국에서 오히려 더 많은 영향을 받아 Brown을 위시해 Hawthorne, Poe로 이어져, 오늘날의 ‘American Gothi
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Impostor Script
MAN: There wasnt always a war with the Centauri
but in my lifetime, its all Ive ever known.
By the year 2050 six years after the first attack
wed lost so many things.
Wed lost the sky to electromagnetic domes
to shield the Earth from frequent air raids
increasing in intensity.
Wed lost the uncovered cities that the government forg
DOME on top
of the ship. In the Dome sits TALBY. He is staring around,
wide-eyed, at the planets and stars.
DOOLITTLE
(over - filter)
Talby, Talby, this is Doolittle. Do you
read me? Talby?
WE MOVE IN CLOSE ON TALBYS FACE. The shot stops and holds
as he continues to stare, rapt.
DOOLITTLE
(contd - over - filter)
Talby, do you read me?
There is a CRACKLE, and Doolittles voice suddenly booms
throug
domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"