2. 화란식쌓기(Dutch bond)
한 켜의 길이쌓기로 하고 다음은 마구리쌓기로 하는 것은 영식쌓기와 같으나 모서리 또는 끝에서 반절 또는 이오토막을 쓰지 않고 칠오토막을 써서 마무리하는 법을 화란식쌓기라 한다.
이법은 내부에 약간 통줄눈이 생기는 약점은 있으나 일하기 쉽고 모서리가 견고하게 되
2. 화란식쌓기(Dutch bond)
한 켜의 길이쌓기로 하고 다음은 마구리쌓기로 하는 것은 영식쌓기와 같으나 모서리 또는 끝에서 반절 또는 이오토막을 쓰지 않고 칠오토막을 써서 마무리하는 법을 화란식쌓기라 한다.
이법은 내부에 약간 통줄눈이 생기는 약점은 있으나 일하기 쉽고 모서리가 견고하게 되
weaving through the chess pieces, then
PULLS BACK over the heads of the AUDIENCE.
INT. AUDITORIUM - PRESENT DAY - NIGHT
>From the rear of the room, over the HEADS of the AUDIENCE, we
see THREE TABLES on stage. A large board of the game is
presented on the wall behind each table.
CLOSE SHOT - PLAYERS EYES: We cut back and forth. Deep,
probing eyes, intensely focused and determined.
CLOSE ON THE CL
Of glowing honey-colored stones. Their shapes ABSTRACT as THE CAMERA EXAMINES air bubbles and crystalline patterns.
MOVING UP AND OVER this amber abstraction, the CAMERA FINDS unusual shapes and imperfections caught in the glassy stone: flecks of dirt, hairs, cracks. STILL MOVING. STARBURSTS OF LIGHT ricochet off the different surfaces of the stones.
CAMERA TURNS along a creamy stretch of amber.
Weaving an intricate melody.
And now the visuals. BRIGHTLY COLORED SHAPES spinning in. Equally
intricate, matching the music. They grow and flourish, like flowers
opening up in time lapse photography.
FRACTALS...
is what theyre called. The visual manifestation of geometric formulas.
The Mandelbrot Set. The Julia Set. Each mathematic form made up of
progressively smaller forms and on into infinity