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영문 호스 위스퍼러 The Horse Whisperer영화 대본에 대한 자료입니다.
본문내용
The Horse Whisperer
Screenplay by
Eric Roth
Revised by
Richard LaGravenese
Screenplay by
Erich Roth
Based on the Novel by Nicholas Evans
Revised by
Richard LaGravenese
Second Draft
1/21/97
FADE IN:
A DREAM:
INT. STABLES; PILGRIMS STALL - MORNING
Sunlit illuminates the darkened stable, highlighting the
contours of a magnificent HORSE (PILGRIM) in surreal, dream-
like imagery: his legs, his muscles, his sheen, his mane...
his eyes. He shakes his head and stamps his feet. He seems
confined. Eager to run.
INT. STABLES - MORNING
Pilgrim bursts through the stall and runs out the stables
into a blinding white morning.
EXT. AN OPEN FIELD LEADING TO WOODS - BRIGHT MORNING
Whiteness. Snow and sky without any discernible line between.
Camera is POV, as if on the horse, riding through the
whiteness. Snow kicks up from the side. We hear the breathing
of the horse. As we travel on hills, through trees, we
experience of sense of wild, exhilarating freedom.
We hear the giggles of a GIRL (GRACE) on the horse. An
occasional line;
GRACE (O.S.)
Yeah, fly boy... thats it... go...
go... go...
END OF DREAM as we CUT TO:
INT. GRACES BEDROOM - MORNING
Grace awakens, calmly. Takes a breath. Slides out of bed and
stands before a window, overlooking a beautiful Connecticut
country house. We see a snow-covered field and distant woods.
Grace presses her faces against the cold, frosted window
eager to get out.
INT. MACLEAN NEW YORK APARTMENT - MORNING
Alarm rings, ANNIE MACLEAN awakens. She shuts the alarm and
scoots up in bed. She waits. Seconds later the television
across the foot of her bed turns on from a timer -- to a CNN
24 NEWS channel.
INT. HALLWAY/ANNIE & ROBERTS BEDROOM - MORNING
Grace, fully dressed except for her boots, tiptoes past a
partially opened bedroom door. Her father ROBERT is asleep,
alone, on his huge king size bed.
INT. MACLEAN FARMHOUSE KITCHEN - MORNING
Grace is putting on her boots on a bench beside a back door.
She is wearing her mothers outfit. As she slides the boot
on, we see behind her a row of framed photos -- Robert, Grace
and Annie in happy times.
She slaps a note on the refrigerator, with a magnet -- "Gone
riding. Back around 10. Love, G."
EXT. MACLEAN FARMHOUSE, BACK ENTRANCE - MORNING
Grace slips on her jacket and hat as she comes down the
steps, her feet hitting the walk...
EXT. CENTRAL PARK - MORNING
Annies feet hit the ground, running -- her breath showing in
the cold air. She passes other joggers with ease. She crosses
the street and heads for an elegant CPW building.
INT. MACLEANS NEW YORK APARTMENT - MORNING
Dressed in running clothes, Annie opens the door and picks up
several newspapers that were delivered. She carries them into
the kitchen and sets them beside a huge stack of publications,
magazines, papers, etc... Knowing she must read all of them at
some point, she breathes a disgusted sign. She thumbs through
the POST as she pours herself a cup of coffee. Something
catches her eyes and she snarls:
ANNIE
That little shit!
She dials a portable phone and moves through the apartment as
she talks:
ANNIE
Hi Lucy?... Did I wake you?... Have
you read the Post?... Theyve got a
little item about me and Fiske. Hes
saying I fired him and that I faked