A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
Limbo Script
Welcome to Americas last frontier...
... where the final lumbering
remnants of the lce Age...
... the massive and
awe-inspiring glaciers...
... calve cathedral-sized
icebergs into the sea...
... where natures bounty unfolds
in a panoply of flora and fauna...
... the like of which is seen
nowhere else on the planet.
From the ocean depths,
plumbed by ageless cetaceans...
... to azure s
The Omega Code Script
Help! No!
Let her go.
You have what you came for.
Tell your master weve arrived.
He already knows.
I am standing here outside...
the Alexander Satellite Network studios,
where this teeming, overflow crowd...
awaits any chance to get a peek inside.
We have had an overwhelming response to my next guest.
Crowds have been lining up outside this studio all night...
to see this sp
GLADIATOR
by
David Franzoni
FIRST DRAFT REVISED
April 4, 1998
FADE IN:
EXT. NEAR THE GERMAN FRONT - 180 A.D. - DAWN
The rising sun unveils steep hills and luxuriant mountains
untouched by man. Snow flurries dart in the frigid air
and on the horizon CROWS gather.
EXT. DIRT ROAD
A column of Praetorian Cavalry flank two enclosed wagons
as they rattle along a rock and log accordion road. On
all sides
A N T Z
CHARACTERS VOICES
"Z"...............................................WOODY ALLEN
"WASP #1".........................................DAN AYKROYD
"WASP #2".........................................JANE CURTIN
"GEN. FORMICA"...................................DANNY GLOVER
"MANDIBLE".......................................GENE HACKMAN
"AZTECA".......................................JENNIFER LOPEZ
"
Lying in bed, coughing. Pale, one sick cookie. Maybe hes seven or eight or nine. He holds a remote in one hand, presses it, and the video game moves a little bit. Then hes hit by another spasm of coughing, puts the remote down.
His room is monochromatic, greys and blues, mildly high-tech. Were in the present day and this is a middle class house, somewhere in the suburbs.
CUT TO:
The Kids MOTHER
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
Gods And Generals Script
Welcome, Colonel Lee.
Welcome to my home.
Make yourself comfortable
there, colonel.
Allow me to get to the point, sir.
I have been authorized by
President Lincoln himself...
...with the full blessing
of the War Department...
...to offer you full command of the Army
with the rank of major general.
This Army being raised to quell this
rebellion and to preserve the Union.
I
Hoodlum Script
Come in.
Johnson, youre different
from the other coloureds in here.
You read books, play chess, write poetry.
But I dont believe you have any regret
whatsoever for taking a mans life.
A man who recognises his mistakes
is ready to seek Gods forgiveness.
Yeah, Ive read your Bible, Warden.
And?
Its a good book.
I need to feed my babies.
Let the men pass, son.
No man knoweth
the moment
Deep Impact Script
Altair,
Alpha Centauri, Sirius.
Matt Shepherd?
Its just a party,
and he asked me.
Hes really nice.
Yeah, to you, maybe.
You guys getting some
good work done over here?
- Yeah.
- Yeah.
Yeah, sounds like it.
Whats the bright one?
Uh...
Mizar.
Its a double star.
Good.
The one next to it?
Uh...
Alcor.
Good, Biederman,
and the one next to that?
Uh...
I dont know.
Its Megrez.
I dont