Music is full
blast. Amber and Jack are greeted by;
MAURICE t.t. RODRIGUEZ (30s). Owner of the nightclub. Puerto Rican. Wearing
a suit and fifteen gold chains.
MAURICE
Jackie-Jack-Jack and Miss Lovely Amber Waves --
AMBER
Hi, Maurice.
JACK
You bad ass little spick. How are you, honey?
MAURICE
Pissed off you aint been around --
JACK
-- I been on vacation.
MAURICE
Dont stay away this long from my
c
Christian citizens
of this country
e should be actively involved...
... in this historical moment.
And if the churches
across this country
elievers can come together
and take a stand
I think its gonna have
a powerful, powerful impact
on this process.
We dare not sleep through
this poi???? decision
because frankly, futur generations
depend on us.
Pray urgently that
Gods perfect will, will be done
music started
during the first screening...
The Metropolis theme.
A fanfare motif...
the orchestra follows...
a column of sound emerges.
Thea von Harbous message,
Lang didnt believe in it.
He said: "I am fascinated by machines."
Metropolis, the mother city,
city of mothers, mother of all cities.
The city, the film...
they too are machines.
Flywheels,
a crankshaft,
an eccentric disk,
A machine wit
music is
Jazz. He has a saxophone. To my ear Jazz
is just noise, just an insolent noise.
EXT. CENTRAL PARK WEST. EARLY EVENING.
Ripley shakes hands with Herbert Greenleaf as he gets into
his Rolls Royce. They are making an appointment. Ripley
crosses the street to Fran, pecks her cheek. She hands him
his share of their fee.
RIPLEY
Gotta run. Im so late.
(he hands Frans boyfriend the
jacket hes be
looking girl in her late twenties circulates quietly among the tables picking up books and putting them on her cart. Everything seems completely normal and peaceful.
POV
A single eerie musical note signals the presence of something strange looking down on the Librarian from a vantage point high above the room. It follows the Librarian as she pushes her cart around the corner.
INT. WORK AREA
music.
- Well, if you want, you know, I could...
- Loud!
- Well, I could go talk to him if you...
- "Left My Wallet in El Segundo."
- He left his wallet?
- Hippity-hop music!
You know, they calls it hippity-hop music,
but it dont make me
want to go hippity-hop.
Hm.
And Othar dont like that music neither.
- Its been disturbin Othar then, has it?
- Well, how could it help but do?
"Left My Wallet in
Christian,
I cannot even pronounce
some of the words.
But let me just read you
some of the song titles:
"Shoot the Teacher."
Oh, my...
-Yes!
-Not good.
"l Am the King of Your Mouth."
-Very nice.
-Uh-oh. -Ooh!
"You My Special Bitch."
-Wait...
-Mmm!
"l Love You Because
Im High."
"Six Grades Are Plenty."
Lane, did you ask Legal?
Do I really own this label?
You bought it years ago
as part of a packag
music in the main ballroom.
INT. THE BALLROOM
Short Round enters and stares across the smoky nightclub. On the stage, he sees a giant paper-mache dragon laying curled around the pagoda.
Now, the dragons eyes light up, its nostrils exhale smoke and its enormous jaws open. Out of the dragons mouth walks the star of the stage show:
WILLIE SCOTT, a dreamy beauty singing a sultry solo white the orche
Christian worship : its theology and practice,정진황 역, 『예배학원론』(서울: 요단출판사, 1979), 120.
하지만 예배에 있어서 음악은 예배자들의 종교적 의식이나 감정을 강화시켜주는 말로 표현될 수 없는 그 이상의 것을 표현하게 한다. 그러므로 음악이라는 도구를 통해 전능하신 하나님의 영광과 거룩하심을