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Dirty Dancing Script
Hi, everybody.
This is your cousin Brucie. Whoa!
Our summer romances are in full bloom,
and everybodys in love!
So cousins, heres a great song
from the Four Seasons.
That was the summer of ...
when everybody called me ""Baby""
and it didnt occur to me to mind.
That was before
President Kennedy was shot...
before the Beatles came...
when I couldnt wait
to join the Peace Corps.
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
Funny Girl Script
Hello, gorgeous.
Miss Fanny?
- Miss Fanny?
- Down here, Emma. Third row.
I came in early to tidy up,
and the doorman said you were in.
What you doing out there?
The one place in the theatre
Ive never sat.
Maybe things look different from here.
This is the day, isnt it?
Yeah.
Any word yet?
No. The wire just said tonight.
You nervous?
Nervous, happy, scared, excited...
Im going to
Hairspray Script
Oh, oh, oh
Woke up today
Feeling the way
I always do
Oh, oh, oh
Hungry for something
that I cant eat
Then I hear that beat
That rhythm of town
starts calling me down
Its like a message from high above
Oh, oh, oh
Pulling me out to the smiles
and the streets that I love
- Good morning, Baltimore!
- Good morning, Baltimore
Every days like an open door
Every night is a f
Grey Gardens Script
[ Mrs. Beale ]
What are you doing down there ?
Just standing there ?
- [ David Maysles ]
Just filming the main room.
- [ Edie ] Whiskers!
[ Mrs. Beale ]
Well; did you know that
Whiskers has disappeared?
-A cat got out.
Im trying to get him in.
-[ David ] Has he ? Ah.
Yeah, we dont know how he got out.
I think he got out in that hole there.
- No; I knew they were coming; and I-
Enemy Of The State Script
Come on.
Come on, mutt.
Look at that ball. All right.
- Come on. Get that ball. Baah!
- [Barking]
Theres no problem
with that.
Oh, goddamn it.
If it happens,
let me know.
What the hell are you doing here?
This is not the office!
- This is my private time.
- Five minutes.
No! I said no Tuesday,
I said no last week,
and Im gonna keep sayin no
till you hear me.
Five minutes
Catch Me If You Can Script
25.000
( water splashes )
( lilting melody played on acoustic guitar )
( violins join in )
( French horns playing )
( trumpets join in )
( solo guitar resolves melody )
( xylophone plays halting jazzy theme )
( strings join melody )
(jazzy saxophone plays )
( orchestra repeats melody )
( melody ascending )
( saxophone, bass play mid- tempo, improvisational jazz )
( orch
EVITA
Lyrics by TIM RICE
Music by ANDREW LLOYD WEBBER
ACT ONE
1. A CINEMA IN BUENOS AIRES, 26 JULY 1952
(An audience is watching a less than distinguished movie
[in both the original London and New York productions
of EVITA a clip from one of Eva Perons own movies
was used]. The soundtrack dialogue is in Spanish, the
music melodramatic. Suddenly the film grinds to a halt.
The people in the cinema
Garfield The Movie Script
I hate mondays
Pookey, cover me. Im going in.
Sleeping beauty, wake up
You can stop dreaming about me,
because Im here now
Just wake up
Youve got work to do.
Youre not just my owner...
...youre my primary care giver
Not now, Garfield
Alright, cut the sweet... easy now.
Trying to cuddle with me, huh?
Trying to avoid your duties, huh?
Well that just aint gonna fly!
See, Im