Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
A blurred image forms on a white screen. A horizontal strip of face, eyes motionless and unblinking.
DAVID (V.O.)
Take trust, for instance, or friendship: these are the important things in life, the things that matter, that help you on your way. If you cant trust your friends, well, what then?
EXT. DAWN
A series of fast-cut static scenes of empty streets.
DAVID (V.O.)
This could have been any
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
CLARENCE WORLEY, a young hipster hepcat, is trying to pick up an older lady named LUCY. She isnt bothered by him, in fact, shes a little charmed. But, you can tell, that she isnt going to leave her barstool.
CLARENCE
In "Jailhouse Rock" hes everything rockabillys about. I mean he is rockabilly: mean, surly, nasty, rude. In that movie he couldnt give a fuck about anything except rockin and rollin,
-
Kiss Kiss Bang Bang Script
On the count of three.
One, two, three!
Try the ring toss. Three for a quarter.
Look how easy it is.
There you go, a winner!
And now, for my shocking finale.
Not for the squeamish.
Not for the faint of heart.
I call my trick "The Jaws of Death. "
Now. Say it. Say it.
Harold, use your awesome might
to save me from this hopeless plight.
No harm will come to you.
Alakaza
THE INSIDER
written by
ERIC ROTH & MICHAEL MANN
11/5/99
FADE IN:
All we can see is black filling the screen... Black on
black...
INT. A JEEP, LEBANON - DAY
And were in a speeding SOVIET JEEP... Two men in front,
shouldering assault rifles. HEZBOLLAH SOLDIERS... And there
are three MEN in the back. A middle-aged Man wearing a tired
suit and tinted sunglasses trying to hold on. And on either
side o
X-Men
By
Ed Solomon
Revisions:
Chris McQuarrie
Tom DeSanto
Bryan Singer
February 24, 1999
BLACK
Sounds of a train rolling to a halt, a shrill whistle.
EXT. CAMP - DAY
UP ON the door of a weathered cattle car as a German
soldier steps into frame wearing that familiar gray of
the all-too familiar era.
He throws the door to reveal a mass of huddled and
frightened people inside.
The words are not nec
The Unforgiven
Original Screenplay
by
David Webb Peoples
PRODUCTION DRAFT
April 23, 1984
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not w
A large and very comfortable office over-looking St. Patricks Cathedral. At the moment the office is filled to bursting with men and women, slumped in chairs, sitting on desks, all of them very tense. Among the crowd of people we note: MURRAY FISHER, a young and very ambitious junior executive and PHYLLIS BERNARD, an attractive woman in her early thirties. She is a lawyer with the agency.
At the
미세현미경디스크 제거술 후 초기 분절안정화 운동이
배가로근과 뭇갈래근의 활성도 및 통증에 미치는 영향
목차
소개
연구방법
1. 연구대상
2. 실험 방법
3. 측정방법
4. 자료 처리방법
결과
논의
1. 시각상사척도
2. 배가로근 활성화
3. 뭇갈래근 활성화
결론 및 제언
참고문헌
. 이것은뭇갈래근의 회복