RUSH HOUR
Original Screenplay
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RUSH HOUR
FADE IN:
EXT. LOS ANGELES - DAY
The whole dysfunctional megalopolis, beige and blurry in the
summer smog. If this is the American Dream, do me a favor and
wake me up.
EXT. LAX - DAY
The traffic loop outside the terminals is gridlocked -- mostly
with stretch limousines.
INT. LAX
M*A*S*H
Screenplay by Ring Lardner Jr.
Produced by Ingo Preminger
Directed by Robert Altman
Cast List:
Donald Sutherland Hawkeye Pierce
Elliott Gould Trapper John McIntyre
Tom Skerritt Duke Forrest
Sally Kellerman Major Hot Lips Houlihan
Robert Duvall Major Frank Burns
Jo Ann Pflug Lieutenant Hot Dish
Rene Auberjonois Dago Red
Roger Bowen Colonell Henry Blake
FADE IN:
EXT. LANDING AREA OUTSIDE 4
LEVIATHAN
Screenplay by
David Webb Peoples
and
Jeb Stuart
Revised Draft
September 8, 1987
FACE IN ON
THE SURFACE OF THE OCEAN
sunny and placid then slowly WE BEGIN DESCENDING UNDERWATER
Moving down from the bright surface waters, through layers
of fish and marine life...
A school of vibrantly colored fish move with the current,
their numbers are enormous, their movements in unison.
Suddenly out o
Escape From L.A.
Screenplay by John Carpenter
Debra Hill
Kurt Russell
Produced by Debra Hill
Kurt Russell
Directed by John Carpenter
Cast List:
Kurt Russell Snake Plissken
Stacy Keach Malloy
Steve Buscemi Map to the Stars Eddie
Peter Fonda Pipeline
George Corraface Cuervo Jones
Valeria Golino Taslima
Pam Grier Hershe
Michael Forbes Brazen
Cliff Robertson President
A.J. Langer Utopia
Bruce Campbe
DAWN OF THE DEAD
by George A. Romero
모
"WHEN THERE IS NO MORE ROOM IN HELL
모
THE DEAD WILL WALK THE EARTH"
모
모
1 We see the face of a young woman. She is asleep. It is very
quiet at first, as credits appear. The womans face begins to
twitch, as though she is having a bad dream. She moans slightly
and her expression grows more desperate.
A mix of subtle sounds begin to fade in. As they get
Guarding Tess Script
Breakfast.
Im going.
I thought Id say goodbye.
Gentlemen, again, all the best.
Take good care.
Good luck and goodbye.
Its been fun.
Here you go, sir.
- Thank you.
- Youre welcome.
Im here to see
the director of the Secret Service.
Okay. Thanks.
Is there anyplace
where I could put my bags?
Over there.
- Thank you.
- Okay.
Congratulations, Doug. Youve done
a terrific job on a t
The Cable Guy
by Judd Apatow
Based on a Screenplay by
Lou Holtz Jr.
Shooting Script October 31, 1995 (White)
Revised Pages November 13, 1995 (Blue)
Revised Pages November 14, 1995 (Pink)
1 FULL FRAME - WHITE NOISE
Credits begin. The entire frame is filled with white noise within which one can make out thefaint
image of a television program. Every few moments the channel changes, revealing a new
Hoodlum Script
Come in.
Johnson, youre different
from the other coloureds in here.
You read books, play chess, write poetry.
But I dont believe you have any regret
whatsoever for taking a mans life.
A man who recognises his mistakes
is ready to seek Gods forgiveness.
Yeah, Ive read your Bible, Warden.
And?
Its a good book.
I need to feed my babies.
Let the men pass, son.
No man knoweth
the moment
Malcolm X
FADE IN:
1 EXT. ROXBURY STREET - THE WAR YEARS - DAY
It is a bright sunny day on a crowded street on the black side of
Boston. PEOPLE and KIDS are busy with their own things.
SHORTY bops his way down the street. He is a runty, very dark
young man of 21 with a mission and a smile on his face. He wears
the flamboyant style of the time: the whole zoot-suit, pegged legs
and a wide bri
13 DAYS
DARKNESS. As the MAIN TITLES BEGIN, the theater thrums with
a subsonic HISS which mounts in all the rattling power of
THX, and we...
BURN IN, BRIGHT LIVING COLOR:
EXT. STRATOSPHERE - DAY
The glory of stratospheric dawn. The engines of a silver
Lockheed U-2F rasp upon the trace oxygen here at 72,500 feet.
Scattered cloud formations hang over the blue brilliance of
sea far, far below. In t